Proverbs, aphorisms, quotations (English) | by Linux fortune |
Hoaars-Faisse Gallery presents: An exhibit of works by the artist known only as Pretzel. The exhibit includes several large conceptual works using non-traditional media and found objects including old sofa-beds, used mace canisters, discarded sanitary napkins and parts of freeways. The artist explores our dehumanization due to high technology and unresponsive governmental structures in a post-industrial world. She/he (the artist prefers to remain without gender) strives to create dialogue between viewer and creator, to aid us in our quest to experience contemporary life with its inner-city tensions, homelessness, global warming and gender and class-based stress. The works are arranged to lead us to the essence of the argument: that the alienation of the person/machine boundary has sapped the strength of our voices and must be destroyed for society to exist in a more fundamental sense. | |
It is something to be able to paint a particular picture, or to carve a statue, and so to make a few objects beautiful; but it is far more glorious to carve and paint the very atmosphere and medium through which we look, which morally we can do. To affect the quality of the day, that is the highest of arts. Every man is tasked to make his life, even in its details, worthy of the contemplation of his most elevated and critical hour. -- Henry David Thoreau, "Where I Live" | |
IV. The time required for an object to fall twenty stories is greater than or equal to the time it takes for whoever knocked it off the ledge to spiral down twenty flights to attempt to capture it unbroken. Such an object is inevitably priceless, the attempt to capture it inevitably unsuccessful. V. All principles of gravity are negated by fear. Psychic forces are sufficient in most bodies for a shock to propel them directly away from the earth's surface. A spooky noise or an adversary's signature sound will induce motion upward, usually to the cradle of a chandelier, a treetop, or the crest of a flagpole. The feet of a character who is running or the wheels of a speeding auto need never touch the ground, especially when in flight. VI. As speed increases, objects can be in several places at once. This is particularly true of tooth-and-claw fights, in which a character's head may be glimpsed emerging from the cloud of altercation at several places simultaneously. This effect is common as well among bodies that are spinning or being throttled. A "wacky" character has the option of self-replication only at manic high speeds and may ricochet off walls to achieve the velocity required. -- Esquire, "O'Donnell's Laws of Cartoon Motion", June 1980 | |
Skill without imagination is craftsmanship and gives us many useful objects such as wickerwork picnic baskets. Imagination without skill gives us modern art. -- Tom Stoppard | |
A certain monk had a habit of pestering the Grand Tortue (the only one who had ever reached the Enlightenment 'Yond Enlightenment), by asking whether various objects had Buddha-nature or not. To such a question Tortue invariably sat silent. The monk had already asked about a bean, a lake, and a moonlit night. One day he brought to Tortue a piece of string, and asked the same question. In reply, the Grand Tortue grasped the loop between his feet and, with a few simple manipulations, created a complex string which he proferred wordlessly to the monk. At that moment, the monk was enlightened. From then on, the monk did not bother Tortue. Instead, he made string after string by Tortue's method; and he passed the method on to his own disciples, who passed it on to theirs. | |
A recent study has found that concentrating on difficult off-screen objects, such as the faces of loved ones, causes eye strain in computer scientists. Researchers into the phenomenon cite the added concentration needed to "make sense" of such unnatural three dimensional objects. | |
An interpretation _I satisfies a sentence in the table language if and only if each entry in the table designates the value of the function designated by the function constant in the upper-left corner applied to the objects designated by the corresponding row and column labels. -- Genesereth & Nilsson, "Logical foundations of Artificial Intelligence" | |
... C++ offers even more flexible control over the visibility of member objects and member functions. Specifically, members may be placed in the public, private, or protected parts of a class. Members declared in the public parts are visible to all clients; members declared in the private parts are fully encapsulated; and members declared in the protected parts are visible only to the class itself and its subclasses. C++ also supports the notion of *_______friends*: cooperative classes that are permitted to see each other's private parts. -- Grady Booch, "Object Oriented Design with Applications" | |
The fountain code has been tightened slightly so you can no longer dip objects into a fountain or drink from one while you are floating in mid-air due to levitation. Teleporting to hell via a teleportation trap will no longer occur if the character does not have fire resistance. -- README file from the NetHack game | |
The meta-Turing test counts a thing as intelligent if it seeks to devise and apply Turing tests to objects of its own creation. -- Lew Mammel, Jr. | |
The fountain code has been tightened slightly so you can no longer dip objects into a fountain or drink from one while you are floating in mid-air due to levitation. Teleporting to hell via a teleportation trap will no longer occur if the character does not have fire resistance. - README file from the NetHack game | |
Even if we put all these nagging thoughts [four embarrassing questions about astrology] aside for a moment, one overriding question remains to be asked. Why would the positions of celestial objects at the moment of birth have an effect on our characters, lives, or destinies? What force or influence, what sort of energy would travel from the planets and stars to all human beings and affect our development or fate? No amount of scientific-sounding jargon or computerized calculations by astrologers can disguise this central problem with astrology -- we can find no evidence of a mechanism by which celestial objects can influence us in so specific and personal a way. . . . Some astrologers argue that there may be a still unknown force that represents the astrological influence. . . .If so, astrological predictions -- like those of any scientific field -- should be easily tested. . . . Astrologers always claim to be just a little too busy to carry out such careful tests of their efficacy, so in the last two decades scientists and statisticians have generously done such testing for them. There have been dozens of well-designed tests all around the world, and astrology has failed every one of them. . . . I propose that we let those beckoning lights in the sky awaken our interest in the real (and fascinating) universe beyond our planet, and not let them keep us tied to an ancient fantasy left over from a time when we huddled by the firelight, afraid of the night. -- Andrew Fraknoi, Executive Officer, Astronomical Society of the Pacific, "Why Astrology Believers Should Feel Embarrassed," San Jose Mercury News, May 8, 1988 | |
FORTUNE EXPLAINS WHAT JOB REVIEW CATCH PHRASES MEAN: #9 has management potential: Because of his intimate relationship with inanimate objects, the reviewee has been appointed to the critical position of department pencil monitor. inspirational: A true inspiration to others. ("There, but for the grace of God, go I.") adapts to stress: Passes wind, water, or out depending upon the severity of the situation. goal oriented: Continually sets low goals for himself, and usually fails to meet them. | |
Frobnitz, pl. Frobnitzem (frob'nitsm) n.: An unspecified physical object, a widget. Also refers to electronic black boxes. This rare form is usually abbreviated to FROTZ, or more commonly to FROB. Also used are FROBNULE, FROBULE, and FROBNODULE. Starting perhaps in 1979, FROBBOZ (fruh-bahz'), pl. FROBBOTZIM, has also become very popular, largely due to its exposure via the Adventure spin-off called Zork (Dungeon). These can also be applied to non-physical objects, such as data structures. | |
Slick's Three Laws of the Universe: (1) Nothing in the known universe travels faster than a bad check. (2) A quarter-ounce of chocolate = four pounds of fat. (3) There are two types of dirt: the dark kind, which is attracted to light objects, and the light kind, which is attracted to dark objects. | |
Architectural Indigestion: The almost obsessive need to live in a "cool" architectural environment. Frequently related objects of fetish include framed black-and-white art photography (Diane Arbus a favorite); simplistic pine furniture; matte black high-tech items such as TVs, stereos, and telephones; low-wattage ambient lighting; a lamp, chair, or table that alludes to the 1950s; cut flowers with complex names. -- Douglas Coupland, "Generation X: Tales for an Accelerated Culture" | |
Bare feet magnetize sharp metal objects so they point upward from the floor -- especially in the dark. | |
Festivity Level 1: Your guests are chatting amiably with each other, admiring your Christmas-tree ornaments, singing carols around the upright piano, sipping at their drinks and nibbling hors d'oeuvres. Festivity Level 2: Your guests are talking loudly -- sometimes to each other, and sometimes to nobody at all, rearranging your Christmas-tree ornaments, singing "I Gotta Be Me" around the upright piano, gulping their drinks and wolfing down hors d'oeuvres. Festivity Level 3: Your guests are arguing violently with inanimate objects, singing "I can't get no satisfaction," gulping down other peoples' drinks, wolfing down Christmas tree ornaments and placing hors d'oeuvres in the upright piano to see what happens when the little hammers strike. Festivity Level 4: Your guests, hors d'oeuvres smeared all over their naked bodies are performing a ritual dance around the burning Christmas tree. The piano is missing. You want to keep your party somewhere around level 3, unless you rent your home and own Firearms, in which case you can go to level 4. The best way to get to level 3 is egg-nog. | |
Here is a simple experiment that will teach you an important electrical lesson: On a cool, dry day, scuff your feet along a carpet, then reach your hand into a friend's mouth and touch one of his dental fillings. Did you notice how your friend twitched violently and cried out in pain? This teaches us that electricity can be a very powerful force, but we must never use it to hurt others unless we need to learn an important electrical lesson. It also teaches us how an electrical circuit works. When you scuffed your feet, you picked up batches of "electrons", which are very small objects that carpet manufacturers weave into carpets so they will attract dirt. The electrons travel through your bloodstream and collect in your finger, where they form a spark that leaps to your friend's filling, then travels down to his feet and back into the carpet, thus completing the circuit. Amazing Electronic Fact: If you scuffed your feet long enough without touching anything, you would build up so many electrons that your finger would explode! But this is nothing to worry about unless you have carpeting. -- Dave Barry, "What is Electricity?" | |
You have an unusual magnetic personality. Don't walk too close to metal objects which are not fastened down. | |
Objects are lost only because people look where they are not rather than where they are. | |
... and for absolute majority of programmers additional shared objects mean additional fsckup sources. I don't trust them to write correct async code. OK, so I don't trust the majority of programmers to find their dicks if you take their Visual Masturbation Aid++ away, but that's another story - I'm talking about otherwise clued people, not burger-flippers armed with Foo For Complete Dummies in 24 Hours. - Al Viro about multi-threading on linux-kernel | |
<Deek> nopcode: No, it isn't. Win32 lacks the equivalent of fork(). <Knghtbrd> Deek: windoze is not meant for people who should have access to sharp objects, hence no fork() <Knghtbrd> instead, you must rely on spoon() | |
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If you're like most homeowners, you're afraid that many repairs around your home are too difficult to tackle. So, when your furnace explodes, you call in a so-called professional to fix it. The "professional" arrives in a truck with lettering on the sides and deposits a large quantity of tools and two assistants who spend the better part of the week in your basement whacking objects at random with heavy wrenches, after which the "professional" returns and gives you a bill for slightly more money than it would cost you to run a successful campaign for the U.S. Senate. And that's why you've decided to start doing things yourself. You figure, "If those guys can fix my furnace, then so can I. How difficult can it be?" Very difficult. In fact, most home projects are impossible, which is why you should do them yourself. There is no point in paying other people to screw things up when you can easily screw them up yourself for far less money. This article can help you. -- Dave Barry, "The Taming of the Screw" | |
The birds are singing, the flowers are budding, and it is time for Miss Manners to tell young lovers to stop necking in public. It's not that Miss Manners is immune to romance. Miss Manners has been known to squeeze a gentleman's arm while being helped over a curb, and, in her wild youth, even to press a dainty slipper against a foot or two under the dinner table. Miss Manners also believes that the sight of people strolling hand in hand or arm in arm or arm in hand dresses up a city considerably more than the more familiar sight of people shaking umbrellas at one another. What Miss Manners objects to is the kind of activity that frightens the horses on the street... | |
"A wizard cannot do everything; a fact most magicians are reticent to admit, let alone discuss with prospective clients. Still, the fact remains that there are certain objects, and people, that are, for one reason or another, completely immune to any direct magical spell. It is for this group of beings that the magician learns the subtleties of using indirect spells. It also does no harm, in dealing with these matters, to carry a large club near your person at all times." -- The Teachings of Ebenezum, Volume VIII |