Proverbs, aphorisms, quotations (English) | by Linux fortune |
X windows: You'd better sit down. Don't laugh. It could be YOUR thesis project. Why do it right when you can do it wrong? Live the nightmare. Our bugs run faster. When it absolutely, positively HAS to crash overnight. There ARE no rules. You'll wish we were kidding. Everything you never wanted in a window system. And more. Dissatisfaction guaranteed. There's got to be a better way. The next best thing to keypunching. Leave the thrashing to us. We wrote the book on core dumps. Even your dog won't like it. More than enough rope. Garbage at your fingertips. Incompatibility. Shoddiness. Uselessness. X windows. | |
In a forest a fox bumps into a little rabbit, and says, "Hi, Junior, what are you up to?" "I'm writing a dissertation on how rabbits eat foxes," said the rabbit. "Come now, friend rabbit, you know that's impossible! No one will publish such rubbish!" "Well, follow me and I'll show you." They both go into the rabbit's dwelling and after a while the rabbit emerges with a satisfied expression on his face. Comes along a wolf. "Hello, little buddy, what are we doing these days?" "I'm writing the 2'nd chapter of my thesis, on how rabbits devour wolves." "Are you crazy? Where's your academic honesty?" "Come with me and I'll show you." As before, the rabbit comes out with a satisfied look on his face and a diploma in his paw. Finally, the camera pans into the rabbit's cave and, as everybody should have guessed by now, we see a mean-looking, huge lion, sitting, picking his teeth and belching, next to some furry, bloody remnants of the wolf and the fox. The moral: It's not the contents of your thesis that are important -- it's your PhD advisor that really counts. | |
Not only is this incomprehensible, but the ink is ugly and the paper is from the wrong kind of tree. -- Professor, EECS, George Washington University I'm looking forward to working with you on this next year. -- Professor, Harvard, on a senior thesis. | |
The average Ph.D thesis is nothing but the transference of bones from one graveyard to another. -- J. Frank Dobie, "A Texan in England" | |
What I Did During My Fall Semester On the first day of my fall semester, I got up. Then I went to the library to find a thesis topic. Then I hung out in front of the Dover. On the second day of my fall semester, I got up. Then I went to the library to find a thesis topic. Then I hung out in front of the Dover. On the third day of my fall semester, I got up. Then I went to the library to find a thesis topic. I found a thesis topic: How to keep people from hanging out in front of the Dover. -- Sister Mary Elephant, "Student Statement for Black Friday" | |
After this was written there appeared a remarkable posthumous memoir that throws some doubt on Millikan's leading role in these experiments. Harvey Fletcher (1884-1981), who was a graduate student at the University of Chicago, at Millikan's suggestion worked on the measurement of electronic charge for his doctoral thesis, and co-authored some of the early papers on this subject with Millikan. Fletcher left a manuscript with a friend with instructions that it be published after his death; the manuscript was published in Physics Today, June 1982, page 43. In it, Fletcher claims that he was the first to do the experiment with oil drops, was the first to measure charges on single droplets, and may have been the first to suggest the use of oil. According to Fletcher, he had expected to be co-authored with Millikan on the crucial first article announcing the measurement of the electronic charge, but was talked out of this by Millikan. -- Steven Weinberg, "The Discovery of Subatomic Particles" Robert Millikan is generally credited with making the first really precise measurement of the charge on an electron and was awarded the Nobel Prize in 1923. | |
While the engineer developed his thesis, the director leaned over to his assistant and whispered, "Did you ever hear of why the sea is salt?" "Why the sea is salt?" whispered back the assistant. "What do you mean?" The director continued: "When I was a little kid, I heard the story of `Why the sea is salt' many times, but I never thought it important until just a moment ago. It's something like this: Formerly the sea was fresh water and salt was rare and expensive. A miller received from a wizard a wonderful machine that just ground salt out of itself all day long. At first the miller thought himself the most fortunate man in the world, but soon all the villages had salt to last them for centuries and still the machine kept on grinding more salt. The miller had to move out of his house, he had to move off his acres. At last he determined that he would sink the machine in the sea and be rid of it. But the mill ground so fast that boat and miller and machine were sunk together, and down below, the mill still went on grinding and that's why the sea is salt." "I don't get you," said the assistant. -- Guy Endore, "Men of Iron" | |
Uh-oh -- I've let the cat out of the bag. Let me, then, straightforwardly state the thesis I shall now elaborate: Making variations on a theme is really the crux of creativity. -- Douglas R. Hofstadter, "Metamagical Themas" |