Proverbs, aphorisms, quotations (English) | by Linux fortune |
I was working on a case. It had to be a case, because I couldn't afford a desk. Then I saw her. This tall blond lady. She must have been tall because I was on the third floor. She rolled her deep blue eyes towards me. I picked them up and rolled them back. We kissed. She screamed. I took the cigarette from my mouth and kissed her again. | |
Just close your eyes, tap your heels together three times, and think to yourself, `There's no place like home.' -- Glynda the Good | |
The Great Movie Posters: KATHERINE HEPBURN as the lying, stealing, singing, preying witch girl of the Ozarks... "Low down white trash"? Maybe so -- but let her hear you say it and she'll break your head to prove herself a lady! -- Spitfire (1934) Do Native Women Live With Apes? -- Love Life of a Gorilla (1937) JUNGLE KISS!! When she looked into his eyes, felt his arms around her -- she was no longer Tura, mysterious white goddess of the jungle tribes -- she was no longer the frozen-hearted high priestess under whose hypnotic spell the worshippers of the great crocodile god meekly bowed -- she was a girl in love! SEE the ravening charge of the hundred scared CROCODILES! -- Her Jungle Love (1938) LOVE! HATE! JOY! FEAR! TORMENT! PANIC! SHAME! RAGE! -- Intermezzo (1939) | |
The Great Movie Posters: They hungered for her treasure! And died for her pleasure! SEE Man-Fish Battle Shark-Man-Killer! -- The Golden Mistress (1954) See Jane Russell in 3-D; She'll Knock Both Your Eyes Out! -- The French Line (1954) See Jane Russell Shake Her Tamborines... and Drive Cornel WILDE! -- Hot Blood (1956) | |
TV is chewing gum for the eyes. -- Frank Lloyd Wright | |
Why do we have two eyes? To watch 3-D movies with. | |
Year Name James Bond Book ---- -------------------------------- -------------- ---- 50's James Bond TV Series Barry Nelson 1962 Dr. No Sean Connery 1958 1963 From Russia With Love Sean Connery 1957 1964 Goldfinger Sean Connery 1959 1965 Thunderball Sean Connery 1961 1967* Casino Royale David Niven 1954 1967 You Only Live Twice Sean Connery 1964 1969 On Her Majesty's Secret Service George Lazenby 1963 1971 Diamonds Are Forever Sean Connery 1956 1973 Live And Let Die Roger Moore 1955 1974 The Man With The Golden Gun Roger Moore 1965 1977 The Spy Who Loved Me Roger Moore 1962 (novelette) 1979 Moonraker Roger Moore 1955 1981 For Your Eyes Only Roger Moore 1960 (novelette) 1983 Octopussy Roger Moore 1965 1983* Never Say Never Again Sean Connery 1985 A View To A Kill Roger Moore 1960 (novelette) 1987 The Living Daylights Timothy Dalton 1965 (novelette) * -- Not a Broccoli production. | |
In the eyes of my dog, I'm a man. -- Martin Mull | |
Like an expensive sports car, fine-tuned and well-built, Portia was sleek, shapely, and gorgeous, her red jumpsuit moulding her body, which was as warm as seatcovers in July, her hair as dark as new tires, her eyes flashing like bright hubcaps, and her lips as dewy as the beads of fresh rain on the hood; she was a woman driven -- fueled by a single accelerant -- and she needed a man, a man who wouldn't shift from his views, a man to steer her along the right road: a man like Alf Romeo. -- Rachel Sheeley, winner The hair ball blocking the drain of the shower reminded Laura she would never see her little dog Pritzi again. -- Claudia Fields, runner-up It could have been an organically based disturbance of the brain -- perhaps a tumor or a metabolic deficiency -- but after a thorough neurological exam it was determined that Byron was simply a jerk. -- Jeff Jahnke, runner-up Winners in the 7th Annual Bulwer-Lytton Bad Writing Contest. The contest is named after the author of the immortal lines: "It was a dark and stormy night." The object of the contest is to write the opening sentence of the worst possible novel. | |
Stop! There was first a game of blindman's buff. Of course there was. And I no more believe Topper was really blind than I believe he had eyes in his boots. My opinion is, that it was a done thing between him and Scrooge's nephew; and that the Ghost of Christmas Present knew it. The way he went after that plump sister in the lace tucker, was an outrage on the credulity of human nature. | |
"...The name of the song is called 'Haddocks' Eyes'!" "Oh, that's the name of the song, is it?" Alice said, trying to feel interested. "No, you don't understand," the Knight said, looking a little vexed. "That's what the name is called. The name really is, 'The Aged Aged Man.'" "Then I ought to have said "That's what the song is called'?" Alice corrected herself. "No, you oughtn't: that's quite another thing! The song is called 'Ways and Means': but that's only what it is called you know!" "Well, what is the song then?" said Alice, who was by this time completely bewildered. "I was coming to that," the Knight said. "The song really is "A-sitting on a Gate": and the tune's my own invention." --Lewis Carroll, "Through the Looking Glass" | |
We were young and our happiness dazzled us with its strength. But there was also a terrible betrayal that lay within me like a Merle Haggard song at a French restaurant. [...] I could not tell the girl about the woman of the tollway, of her milk white BMW and her Jordache smile. There had been a fight. I had punched her boyfriend, who fought the mechanical bulls. Everyone told him, "You ride the bull, senor. You do not fight it." But he was lean and tough like a bad rib-eye and he fought the bull. And then he fought me. And when we finished there were no winners, just men doing what men must do. [...] "Stop the car," the girl said. There was a look of terrible sadness in her eyes. She knew about the woman of the tollway. I knew not how. I started to speak, but she raised an arm and spoke with a quiet and peace I will never forget. "I do not ask for whom's the tollway belle," she said, "the tollway belle's for thee." The next morning our youth was a memory, and our happiness was a lie. Life is like a bad margarita with good tequila, I thought as I poured whiskey onto my granola and faced a new day. -- Peter Applebome, International Imitation Hemingway Competition | |
4.2 BSD UNIX #57: Sun Jun 1 23:02:07 EDT 1986 You swing at the Sun. You miss. The Sun swings. He hits you with a 575MB disk! You read the 575MB disk. It is written in an alien tongue and cannot be read by your tired Sun-2 eyes. You throw the 575MB disk at the Sun. You hit! The Sun must repair your eyes. The Sun reads a scroll. He hits your 130MB disk! He has defeated the 130MB disk! The Sun reads a scroll. He hits your Ethernet board! He has defeated your Ethernet board! You read a scroll of "postpone until Monday at 9 AM". Everything goes dark... -- /etc/motd, cbosgd | |
In the days when Sussman was a novice Minsky once came to him as he sat hacking at the PDP-6. "What are you doing?", asked Minsky. "I am training a randomly wired neural net to play Tic-Tac-Toe." "Why is the net wired randomly?", inquired Minsky. "I do not want it to have any preconceptions of how to play". At this Minsky shut his eyes, and Sussman asked his teacher "Why do you close your eyes?" "So that the room will be empty." At that moment, Sussman was enlightened. | |
Price Wang's programmer was coding software. His fingers danced upon the keyboard. The program compiled without an error message, and the program ran like a gentle wind. Excellent!" the Price exclaimed, "Your technique is faultless!" "Technique?" said the programmer, turning from his terminal, "What I follow is the Tao -- beyond all technique. When I first began to program I would see before me the whole program in one mass. After three years I no longer saw this mass. Instead, I used subroutines. But now I see nothing. My whole being exists in a formless void. My senses are idle. My spirit, free to work without a plan, follows its own instinct. In short, my program writes itself. True, sometimes there are difficult problems. I see them coming, I slow down, I watch silently. Then I change a single line of code and the difficulties vanish like puffs of idle smoke. I then compile the program. I sit still and let the joy of the work fill my being. I close my eyes for a moment and then log off." Price Wang said, "Would that all of my programmers were as wise!" -- Geoffrey James, "The Tao of Programming" | |
"Don't try to outweird me, three-eyes. I get stranger things than you free with my breakfast cereal." - Zaphod Beeblebrox in "Hithiker's Guide to the Galaxy" | |
Could be you're crossing the fine line A silly driver kind of...off the wall You keep it cool when it's t-t-tight ...eyes wide open when you start to fall. - The Cars | |
To follow foolish precedents, and wink With both our eyes, is easier than to think. - William Cowper | |
What to do in case of an alien attack: 1) Hide beneath the seat of your plane and look away. 2) Avoid eye contact. 3) If there are no eyes, avoid all contact. -- The Firesign Theatre, _Everything you know is Wrong_ | |
The magician is seated in his high chair and looks upon the world with favor. He is at the height of his powers. If he closes his eyes, he causes the world to disappear. If he opens his eyes, he causes the world to come back. If there is harmony within him, the world is harmonious. If rage shatters his inner harmony, the unity of the world is shattered. If desire arises within him, he utters the magic syllables that causes the desired object to appear. His wishes, his thoughts, his gestures, his noises command the universe. -- Selma Fraiberg, _The Magic Years_, pg. 107 | |
I ask only one thing. I'm understanding. I'm mature. And it isn't much to ask. I want to get back to London, and track her down, and be alone with my Selina -- or not even alone, damn it, merely close to her, close enough to smell her skin, to see the flecked webbing of her lemony eyes, the moulding of her artful lips. Just for a few precious seconds. Just long enough to put in one good, clean punch. That's all I ask. -- Martin Amis, _Money_ | |
"Pull the wool over your own eyes!" -- J.R. "Bob" Dobbs | |
"I honestly believe that the doctrine of hell was born in the glittering eyes of snakes that run in frightful coils watching for their prey. I believe it was born with the yelping, howling, growling and snarling of wild beasts... I despise it, I defy it, and I hate it." -- Robert G. Ingersoll | |
Strange memories on this nervous night in Las Vegas. Five years later? Six? It seems like a lifetime, or at least a Main Era -- the kind of peak that never comes again. San Fransisco in the middle sixties was a very special time and place to be a part of. Maybe it meant something. Maybe not, in the long run... There was madness in any direction, at any hour. If not across the Bay, then up the Golden Gate or down 101 to Los Altos or La Honda... You could strike sparks anywhere. There was a fantastic universal sense that whatever we were doing was right, that we were winning... And that, I think, was the handle -- that sense of inevitable victory over the forces of Old and Evil. Not in any mean or military sense; we didn't need that. Our energy would simply prevail. There was no point in fighting -- on our side or theirs. We had all the momentum; we were riding the crest of a high and beautiful wave. So now, less than five years later, you can go up on a steep hill in Las Vegas and look West, and with the right kind of eyes you can almost ___see the high-water mark -- that place where the wave finally broke and rolled back. -- Hunter S. Thompson | |
The eyes of taxes are upon you. | |
Ballistophobia: Fear of bullets; Otophobia: Fear of opening one's eyes. Peccatophobia: Fear of sinning. Taphephobia: Fear of being buried alive. Sitophobia: Fear of food. Trichophobbia: Fear of hair. Vestiphobia: Fear of clothing. | |
Cynic, n.: A blackguard whose faulty vision sees things as they are, not as they ought to be. Hence the custom among the Scythians of plucking out a cynic's eyes to improve his vision. -- Ambrose Bierce, "The Devil's Dictionary" | |
Drew's Law of Highway Biology: The first bug to hit a clean windshield lands directly in front of your eyes. | |
Viking, n.: 1. Daring Scandinavian seafarers, explorers, adventurers, entrepreneurs world-famous for their aggressive, nautical import business, highly leveraged takeovers and blue eyes. 2. Bloodthirsty sea pirates who ravaged northern Europe beginning in the 9th century. Hagar's note: The first definition is much preferred; the second is used only by malcontents, the envious, and disgruntled owners of waterfront property. | |
According to my best recollection, I don't remember. -- Vincent "Jimmy Blue Eyes" Alo | |
"His eyes were cold. As cold as the bitter winter snow that was falling outside. Yes, cold and therefore difficult to chew..." | |
Look! Before our very eyes, the future is becoming the past. | |
Then, gently touching my face, she hesitated for a moment as her incredible eyes poured forth into mine love, joy, pain, tragedy, acceptance, and peace. "'Bye for now," she said warmly. -- Thea Alexander, "2150 A.D." | |
One dusty July afternoon, somewhere around the turn of the century, Patrick Malone was in Mulcahey's Bar, bending an elbow with the other street car conductors from the Brooklyn Traction Company. While they were discussing the merits of a local ring hero, the bar goes silent. Malone turns around to see his wife, with a face grim as death, stalking to the bar. Slapping a four-bit piece down on the bar, she draws herself up to her full five feet five inches and says to Mulcahey, "Give me what himself has been havin' all these years." Mulcahey looks at Malone, who shrugs, and then back at Margaret Mary Malone. He sets out a glass and pours her a triple shot of Rye. The bar is totally silent as they watch the woman pick up the glass and knock back the drink. She slams the glass down on the bar, gasps, shudders slightly, and passes out; falling straight back, stiff as a board, saved from sudden contact with the barroom floor by the ample belly of Seamus Fogerty. Sometime later, she comes to on the pool table, a jacket under her head. Her bloodshot eyes fell upon her husband, who says, "And all these years you've been thinkin' I've been enjoying meself." | |
The 'A' is for content, the 'minus' is for not typing it. Don't ever do this to my eyes again. -- Professor Ronald Brady, Philosophy, Ramapo State College | |
"I have examined Bogota," he said, "and the case is clearer to me. I think very probably he might be cured." "That is what I have always hoped," said old Yacob. "His brain is affected," said the blind doctor. The elders murmured assent. "Now, what affects it?" "Ah!" said old Yacob. "This," said the doctor, answering his own question. "Those queer things that are called the eyes, and which exist to make an agreeable soft depression in the face, are diseased, in the case of Bogota, in such a way as to affect his brain. They are greatly distended, he has eyelashes, and his eyelids move, and cosequently his brain is in a state of constant irritation and distraction." "Yes?" said old Yacob. "Yes?" "And I think I may say with reasonable certainty that, in order to cure him completely, all that we need do is a simple and easy surgical operation -- namely, to remove those irritant bodies." "And then he will be sane?" "Then he will be perfectly sane, and a quite admirable citizen." "Thank heaven for science!" said old Yacob. -- H.G. Wells, "The Country of the Blind" | |
"Multiply in your head" (ordered the compassionate Dr. Adams) "365,365,365, 365,365,365 by 365,365,365,365,365,365". He [ten-year-old Truman Henry Safford] flew around the room like a top, pulled his pantaloons over the tops of his boots, bit his hands, rolled his eyes in their sockets, sometimes smiling and talking, and then seeming to be in an agony, until, in not more than one minute, said he, 133,491,850,208,566,925,016,658,299,941,583,225!" An electronic computer might do the job a little faster but it wouldn't be as much fun to watch. -- James R. Newman, "The World of Mathematics" | |
One day this guy is finally fed up with his middle-class existence and decides to do something about it. He calls up his best friend, who is a mathematical genius. "Look," he says, "do you suppose you could find some way mathematically of guaranteeing winning at the race track? We could make a lot of money and retire and enjoy life." The mathematician thinks this over a bit and walks away mumbling to himself. A week later his friend drops by to ask the genius if he's had any success. The genius, looking a little bleary-eyed, replies, "Well, yes, actually I do have an idea, and I'm reasonably sure that it will work, but there a number of details to be figured out. After the second week the mathematician appears at his friend's house, looking quite a bit rumpled, and announces, "I think I've got it! I still have some of the theory to work out, but now I'm certain that I'm on the right track." At the end of the third week the mathematician wakes his friend by pounding on his door at three in the morning. He has dark circles under his eyes. His hair hasn't been combed for many days. He appears to be wearing the same clothes as the last time. He has several pencils sticking out from behind his ears and an almost maniacal expression on his face. "WE CAN DO IT! WE CAN DO IT!!" he shrieks. "I have discovered the perfect solution!! And it's so EASY! First, we assume that horses are perfect spheres in simple harmonic motion..." | |
The astronomer Francesco Sizi, a contemporary of Galileo, argues that Jupiter can have no satellites: There are seven windows in the head, two nostrils, two ears, two eyes, and a mouth; so in the heavens there are two favorable stars, two unpropitious, two luminaries, and Mercury alone undecided and indifferent. From which and many other similar phenomena of nature such as the seven metals, etc., which it were tedious to enumerate, we gather that the number of planets is necessarily seven. [...] Moreover, the satellites are invisible to the naked eye and therefore can have no influence on the earth and therefore would be useless and therefore do not exist. | |
Just a few of the perfect excuses for having some strawberry shortcake. Pick one. (1) It's less calories than two pieces of strawberry shortcake. (2) It's cheaper than going to France. (3) It neutralizes the brownies I had yesterday. (4) Life is short. (5) It's somebody's birthday. I don't want them to celebrate alone. (6) It matches my eyes. (7) Whoever said, "Let them eat cake." must have been talking to me. (8) To punish myself for eating dessert yesterday. (9) Compensation for all the time I spend in the shower not eating. (10) Strawberry shortcake is evil. I must help rid the world of it. (11) I'm getting weak from eating all that healthy stuff. (12) It's the second anniversary of the night I ate plain broccoli. | |
After a while you learn the subtle difference Between holding a hand and chaining a soul, And you learn that love doesn't mean security, And you begin to learn that kisses aren't contracts And presents aren't promises And you begin to accept your defeats With your head up and your eyes open, With the grace of a woman, not the grief of a child, And you learn to build all your roads On today because tomorrow's ground Is too uncertain. And futures have A way of falling down in midflight, After a while you learn that even sunshine burns if you get too much. So you plant your own garden and decorate your own soul, instead of waiting For someone to bring you flowers. And you learn that you really can endure... That you really are strong, And you really do have worth And you learn and learn With every goodbye you learn. -- Veronic Shoffstall, "Comes the Dawn" | |
Again she fled, but swift he came. Tin'uviel! Tin'uviel! He called her by her elvish name; And there she halted listening. One moment stood she, and a spell His voice laid on her: Beren came And doom fell on Tin'uviel That in his arms lay glistening. As Beren looked into her eyes Within the shadows of her hair, The trembling starlight of the skies He saw there mirrored shimmering. Tin'uviel the elven-fair, Immortal maiden elven-wise, About him cast her shadowy hair And arms like silver glimmering. Long was the way that fate them bore, O'er stony mountains cold and grey, Through halls of iron and darkling door, And woods of nightshade morrowless. The Sundering Seas between them lay, And yet at last they met once more, And long ago they passed away In the forest singing sorrowless. -- J. R. R. Tolkien | |
But I was there and I saw what you did, I saw it with my own two eyes. So you can wipe off that grin; I know where you've been-- It's all been a pack of lies! | |
Buzz off, Banana Nose; Relieve mine eyes Of hateful soreness, purge mine ears of corn; Less dear than army ants in apple pies Art thou, old prune-face, with thy chestnuts worn, Dropt from thy peeling lips like lousy fruit; Like honeybees upon the perfum'd rose They suck, and like the double-breasted suit Are out of date; therefore, Banana Nose, Go fly a kite, thy welcome's overstayed; And stem the produce of thy waspish wits: Thy logick, like thy locks, is disarrayed; Thy cheer, like thy complexion, is the pits. Be off, I say; go bug somebody new, Scram, beat it, get thee hence, and nuts to you. | |
Flying saucers on occasion Show themselves to human eyes. Aliens fume, put off invasion While they brand these tales as lies. | |
Friends, Romans, Hipsters, Let me clue you in; I come to put down Caesar, not to groove him. The square kicks some cats are on stay with them; The hip bits, like, go down under; so let it lay with Caesar. The cool Brutus Gave you the message: Caesar had big eyes; If that's the sound, someone's copping a plea, And, like, old Caesar really set them straight. Here, copacetic with Brutus and the studs, -- for Brutus is a real cool cat; So are they all, all cool cats, -- Come I to make this gig at Caesar's laying down. | |
Graphics blind the eyes. Audio files deafen the ear. Mouse clicks numb the fingers. Heuristics weaken the mind. Options wither the heart. The Guru observes the net but trusts his inner vision. He allows things to come and go. His heart is as open as the ether. | |
Have you seen the old man in the closed down market, Kicking up the papers in his worn out shoes? In his eyes you see no pride, hands hang loosely at his side Yesterdays papers, telling yesterdays news. How can you tell me you're lonely, And say for you the sun don't shine? Let me take you by the hand Lead you through the streets of London I'll show you something to make you change your mind... Have you seen the old man outside the sea-man's mission Memories fading like the metal ribbons that he wears. In our winter city the rain cries a little pity For one more forgotten hero and a world that doesn't care... | |
I used to be such a sweet sweet thing, 'til they got a hold of me, I opened doors for little old ladies, I helped the blind to see, I got no friends 'cause they read the papers, they can't be seen, With me, and I'm feelin' real shot down, And I'm, uh, feelin' mean, No more, Mr. Nice Guy, No more, Mr. Clean, No more, Mr. Nice Guy, They say "He's sick, he's obscene". My dog bit me on the leg today, my cat clawed my eyes, Ma's been thrown out of the social circle, and Dad has to hide, I went to church, incognito, when everybody rose, The reverend Smithy, he recognized me, And punched me in the nose, he said, (chorus) He said "You're sick, you're obscene". -- Alice Cooper, "No More Mr. Nice Guy" | |
Just a song before I go, Going through security To whom it may concern, I held her for so long. Traveling twice the speed of sound She finally looked at me in love, It's easy to get burned. And she was gone. When the shows were over Just a song before I go, We had to get back home, A lesson to be learned. And when we opened up the door Traveling twice the speed of sound I had to be alone. It's easy to get burned. She helped me with my suitcase, She stands before my eyes, Driving me to the airport And to the friendly skies. -- Crosby, Stills, Nash, "Just a Song Before I Go" | |
Most folks they like the daytime, 'cause they like to see the shining sun. They're up in the morning, off and a-running till they're too tired for having fun. But when the sun goes down, and the bright lights shine, my daytime has just begun. Now there are two sides to this great big world, and one of them is always night. If you can take care of business in the sunshine, baby, I guess you're gonna be all right. Don't come looking for me to lend you a hand. My eyes just can't stand the light. 'Cause I'm a night owl honey, sleep all day long. -- Carly Simon | |
"My name is Sue! How do you do?! Now you gonna die!" Well, I hit him hard right between the eyes, And he went down, but to my surprise, Come up with a knife and cut off a piece of my ear. So I busted a chair right across his teeth, And we crashed through the walls and into the streets, Kickin' and a-gougin' in the mud and the blood and beer. Now I tell you, I've fought tougher men, But I really can't remember when: He kicked like a mule and he bit like a crocodile. But I heard him laugh and then I heard him cuss, And he went for his gun, but I pulled mine first, And he sat there lookin' at me, and I saw him smile. He said: "Son, this world is rough, And if a man's gonna make it he's gotta be tough, And I knew I wouldn't be there to help you along. So I give you that name and I said goodbye, And I knew you'd have to get tough or die, And it's that name that's helped to make you strong! -- Johnny Cash, "A Boy Named Sue" | |
My own dear love, he is strong and bold And he cares not what comes after. His words ring sweet as a chime of gold, And his eyes are lit with laughter. He is jubilant as a flag unfurled -- Oh, a girl, she'd not forget him. My own dear love, he is all my world -- And I wish I'd never met him. -- Dorothy Parker, part 1 | |
Nothing that's forced can ever be right, If it doesn't come naturally, leave it. That's what she said as she turned out the light, And we bent our backs as slaves of the night, Then she lowered her guard and showed me the scars She got from trying to fight Saying, oh, you'd better believe it. [...] Well nothing that's real is ever for free And you just have to pay for it sometime. She said it before, she said it to me, I suppose she believed there was nothing to see, But the same old four imaginary walls She'd built for livin' inside I said oh, you just can't mean it. [...] Well nothing that's forced can ever be right, If it doesn't come naturally, leave it. That's what she said as she turned out the light, And she may have been wrong, and she may have been right, But I woke with the frost, and noticed she'd lost The veil that covered her eyes, I said oh, you can leave it. -- Al Stewart, "If It Doesn't Come Naturally, Leave It" | |
On a morning from a Bogart movie, in a country where they turned back time, You go strolling through the crowd like Peter Lorre contemplating a crime. She comes out of the sun in a silk dress running like a watercolor in the rain. Don't bother asking for explanations, she'll just tell you that she came In the Year of the Cat. She doesn't give you time for questions, as she locks up your arm in hers, And you follow 'till your sense of which direction completely disappears. By the blue-tiled walls near the market stall there's a hidden door she leads you to. These days, she say, I feel my life just like a river running through The Year of the Cat. Well, she looks at you so coolly, And her eyes shine like the moon in the sea. She comes in incense and patchouli, So you take her to find what's waiting inside The Year of the Cat. Well, morning comes and you're still with her, but the bus and the tourists are gone, And you've thrown away your choice and lost your ticket, so you have to stay on. But the drum-beat strains of the night remain in the rhythm of the new-born day. You know some time you're bound to leave her, but for now you're going to stay In the Year of the Cat. -- Al Stewart, "Year of the Cat" | |
Plagiarize, plagiarize, Let no man's work evade your eyes, Remember why the good Lord made your eyes, Don't shade your eyes, But plagiarize, plagiarize, plagiarize. Only be sure to call it research. -- Tom Lehrer | |
Proposed Country & Western Song Titles I Can't Get Over You, So I Get Up and Go Around to the Other Side If You Won't Leave Me Alone, I'll Find Someone Who Will I Knew That You'd Committed a Sin When You Came Home Late With Your Socks Outside-in I'm a Rabbit in the Headlights of Your Love Don't Kick My Tires If You Ain't Gonna Take Me For a Ride I Liked You Better Before I Knew You So Well I Still Miss You, Baby, But My Aim's Gettin' Better I've Got Red Eyes From Your White Lies and I'm Blue All the Time -- "Wordplay" | |
Science! true daughter of Old Time thou art! Who alterest all things with thy peering eyes. Why preyest thou thus upon the poet's heart, Vulture, whose wings are dull realities? How should he love thee? or how deem thee wise? Who wouldst not leave him in his wandering To seek for treasure in the jewelled skies, Albeit he soared with an undaunted wing? Hast thou not dragged Diana from her car? And driven the Hamadryad from the wood To seek a shelter in some happier star? Hast thou not torn the Naiad from her flood, The Elfin from the green grass, and from me The summer dream beneath the tamarind tree? -- Edgar Allen Poe, "Science, a Sonnet" | |
Snow-white! Snow-white! O Lady clear! O Queen beyond the Western Sea! O Light to us that wander here Amid the world of woven trees! Gilthoniel! O Elbereth! Clear are thy eyes and bright thy breath! Snow-white! Snow-white! We sing to thee In a far land beyond the Sea. O stars that in the Sunless Year With shining hand by her were sown, In windy fields now bright and clear We see you silver blossom blown! O Elbereth! Gilthoniel! We still remember, we who dwell In this far land beneath the trees, Thy starlight on the Western Seas. -- J. R. R. Tolkien | |
Take a look around you, tell me what you see, A girl who thinks she's ordinary lookin' she has got the key. If you can get close enough to look into her eyes There's something special right behind the bitterness she hides. And you're fair game, You never know what she'll decide, you're fair game, Just relax, enjoy the ride. Find a way to reach her, make yourself a fool, But do it with a little class, disregard the rules. 'Cause this one knows the bottom line, couldn't get a date. The ugly duckling striking back, and she'll decide her fate. (chorus) The ones you never notice are the ones you have to watch. She's pleasant and she's friendly while she's looking at your crotch. Try your hand at conversation, gossip is a lie, And sure enough she'll take you home and make you wanna die. (chorus) -- Crosby, Stills, Nash, "Fair Game" | |
The eyes of Texas are upon you, All the livelong day; The eyes of Texas are upon you, You cannot get away; Do not think you can escape them From night 'til early in the morn; The eyes of Texas are upon you 'Til Gabriel blows his horn. -- University of Texas' school song | |
The garden is in mourning; The rain falls cool among the flowers. Summer shivers quietly On its way towards its end. Golden leaf after leaf Falls from the tall acacia. Summer smiles, astonished, feeble, In this dying dream of a garden. For a long while, yet, in the roses, She will linger on, yearning for peace, And slowly Close her weary eyes. -- Hermann Hesse, "September" | |
The morning sun when it's in your face really shows your age, But that don't bother me none; in my eyes you're everything. I know I keep you amused, But I feel I'm being used. Oh, Maggie, I wish I'd never seen your face. You took me away from home, Just to save you from being alone; You stole my heart, and that's what really hurts. I suppose I could collect my books and get on back to school, Or steal my daddy's cue and make a living out of playing pool, Or find myself a rock 'n' roll band, That needs a helping hand, Oh, Maggie I wish I'd never seen your face. You made a first-class fool out of me, But I'm as blind as a fool can be. You stole my soul, and that's a pain I can do without. -- Rod Stewart, "Maggie May" | |
The rhino is a homely beast, For human eyes he's not a feast. Farewell, farewell, you old rhinoceros, I'll stare at something less prepoceros. -- Ogden Nash | |
The trouble with you Is the trouble with me. Got two good eyes But we still don't see. -- Robert Hunter, "Workingman's Dead" | |
"Twas bergen and the eirie road Did mahwah into patterson: "Beware the Hopatcong, my son! All jersey were the ocean groves, The teeth that bite, the nails And the red bank bayonne. that claw! Beware the bound brook bird, and shun He took his belmar blade in hand: The kearney communipaw." Long time the folsom foe he sought Till rested he by a bayway tree And, as in nutley thought he stood, And stood a while in thought. The Hopatcong with eyes of flame, Came whippany through the englewood, One, two, one, two, and through And garfield as it came. and through The belmar blade went hackensack! "And hast thou slain the Hopatcong? He left it dead and with it's head Come to my arms, my perth amboy! He went weehawken back. Hohokus day! Soho! Rahway!" He caldwell in his joy. Did mahwah into patterson: All jersey were the ocean groves, And the red bank bayonne. -- Paul Kieffer | |
'Twas brillig, and the slithy toves Did gyre and gimble in the wabe. "Beware the Jabberwock, my son! All mimsy were the borogroves The jaws that bite, the claws And the mome raths outgrabe. that catch! Beware the Jubjub bird, He took his vorpal sword in hand And shun the frumious Bandersnatch!" Long time the manxome foe he sought. So rested he by the tumtum tree And as in uffish thought he stood And stood awhile in thought. The Jabberwock, with eyes aflame Came whuffling through the tulgey wood One! Two! One! Two! And through and And burbled as it came! through The vorpal blade went snicker-snack. "Hast thou slain the Jabberwock? He left it dead, and took its head, Come to my arms, my beamish boy! And went galumphing back. Oh frabjous day! Calooh! Callay!" He chortled in his joy. 'Twas brillig, and the slithy toves Did gyre and gimble in the wabe. All mimsy were the borogroves And the mome raths outgrabe. -- Lewis Carroll, "Jabberwocky" | |
'Twas midnight on the ocean, Her children all were orphans, Not a streetcar was in sight, Except one a tiny tot, So I stepped into a cigar store Who had a home across the way To ask them for a light. Above a vacant lot. The man behind the counter As I gazed through the oaken door Was a woman, old and gray, A whale went drifting by, Who used to peddle doughnuts Its six legs hanging in the air, On the road to Mandalay. So I kissed her goodbye. She said "Good morning, stranger", This story has a morale Her eyes were dry with tears, As you can plainly see, As she put her head between her feet Don't mix your gin with whiskey And stood that way for years. On the deep and dark blue sea. -- Midnight On The Ocean | |
'Twas the night before crisis, and all through the house, Not a program was working not even a browse. The programmers were wrung out too mindless to care, Knowing chances of cutover hadn't a prayer. The users were nestled all snug in their beds, While visions of inquiries danced in their heads. When out in the lobby there arose such a clatter, I sprang from my tube to see what was the matter. And what to my wondering eyes should appear, But a Super Programmer, oblivious to fear. More rapid than eagles, his programs they came, And he whistled and shouted and called them by name; On Update! On Add! On Inquiry! On Delete! On Batch Jobs! On Closing! On Functions Complete! His eyes were glazed over, his fingers were lean, From Weekends and nights in front of a screen. A wink of his eye, and a twist of his head, Soon gave me to know I had nothing to dread... -- "Twas the Night before Crisis" | |
Tyger, Tyger, burning bright Where the hammer? Where the chain? In the forests of the night, In what furnace was thy brain? What immortal hand or eye What the anvil? What dread grasp Dare frame thy fearful symmetry? Dare its deadly terrors clasp? Burnt in distant deeps or skies When the stars threw down their spears The cruel fire of thine eyes? And water'd heaven with their tears On what wings dare he aspire? Dare he laugh his work to see? What the hand dare seize the fire? Dare he who made the lamb make thee? And what shoulder & what art Tyger, Tyger, burning bright Could twist the sinews of they heart? In the forests of the night, And when thy heart began to beat What immortal hand or eye What dread hand & what dread feet Dare frame thy fearful symmetry? Could fetch it from the furnace deep And in thy horrid ribs dare steep In the well of sanguine woe? In what clay & in what mould Were thy eyes of fury roll'd? -- William Blake, "The Tyger" | |
we will invent new lullabies, new songs, new acts of love, we will cry over things we used to laugh & our new wisdom will bring tears to eyes of gentle creatures from other planets who were afraid of us till then & in the end a summer with wild winds & new friends will be. | |
We've tried each spinning space mote And reckoned its true worth: Take us back again to the homes of men On the cool, green hills of Earth. The arching sky is calling Spacemen back to their trade. All hands! Standby! Free falling! And the lights below us fade. Out ride the sons of Terra, Far drives the thundering jet, Up leaps the race of Earthmen, Out, far, and onward yet-- We pray for one last landing On the globe that gave us birth; Let us rest our eyes on the fleecy skies And the cool, green hills of Earth. -- Robert A. Heinlein, 1941 | |
When my fist clenches crack it open, Before I use it and lose my cool. When I smile tell me some bad news, Before I laugh and act like a fool. And if I swallow anything evil, Put you finger down my throat. And if I shiver please give me a blanket, Keep me warm let me wear your coat No one knows what it's like to be the bad man, to be the sad man. Behind blue eyes. No one knows what its like to be hated, to be fated, To telling only lies. -- The Who | |
While walking down a crowded City street the other day, I heard a little urchin To a comrade turn and say, "Say, Chimmey, lemme tell youse, I'd be happy as a clam If only I was de feller dat Me mudder t'inks I am. "She t'inks I am a wonder, My friends, be yours a life of toil An' she knows her little lad Or undiluted joy, Could never mix wit' nuttin' You can learn a wholesome lesson Dat was ugly, mean or bad. From that small, untutored boy. Oh, lot o' times I sit and t'ink Don't aim to be an earthly saint How nice, 'twould be, gee whiz! With eyes fixed on a star: If a feller was de feller Just try to be the fellow that Dat his mudder t'inks he is." Your mother thinks you are. -- Will S. Adkin, "If I Only Was the Fellow" | |
COONDOG MEMORY (heard in Rutledge, Missouri, about eighteen years ago) Now, this dog is for sale, and she can not only follow a trail twice as old as the average dog can, but she's got a pretty good memory to boot. For instance, last week this old boy who lives down the road from me, and is forever stinkmouthing my hounds, brought some city fellow around to try out ol' Sis here. So I turned her out south of the house and she made two or three big swings back and forth across the edge of the woods, set back her head, bayed a couple of times, cut straight through the woods, come to a little clearing, jumped about three foot straight up in the air, run to the other side, and commenced to letting out a racket like she had something treed. We went over there with our flashlights and shone them up in the tree but couldn't catch no shine offa coon's eyes, and my neighbor sorta indicated that ol' Sis might be a little crazy, `cause she stood right to the tree and kept singing up into it. So I pulled off my coat and climbed up into the branches, and sure enough, there was a coon skeleton wedged in between a couple of branches about twenty foot up. Now as I was saying, she can follow a pretty old trail, but this fellow was still calling her crazy or touched `cause she had hopped up in the air while she was crossing the clearing, until I reminded him that the Hawkins' had a fence across there about five years back. Now, this dog is for sale. -- News that stayed News: Ten Years of Coevolution Quarterly | |
The pitcher wound up and he flang the ball at the batter. The batter swang and missed. The pitcher flang the ball again and this time the batter connected. He hit a high fly right to the center fielder. The center fielder was all set to catch the ball, but at the last minute his eyes were blound by the sun and he dropped it. -- Dizzy Dean | |
EARL GREY PROFILES NAME: Jean-Luc Perriwinkle Picard OCCUPATION: Starship Big Cheese AGE: 94 BIRTHPLACE: Paris, Terra Sector EYES: Grey SKIN: Tanned HAIR: Not much LAST MAGAZINE READ: Lobes 'n' Probes, the Ferengi-Betazoid Sex Quarterly TEA: Earl Grey. Hot. EARL GREY NEVER VARIES. | |
"His eyes seemed to be popping out of his head. He wasn't certain if this was because they were trying to see more clearly, or if they simply wanted to leave at this point." - Arthur trying to see who had diverted him from going to a party. | |
I put contact lenses in my dog's eyes. They had little pictures of cats on them. Then I took one out and he ran around in circles. -- Steven Wright | |
"Many have seen Topaxci, God of the Red Mushroom, and they earn the name of shaman," he said. Some have seen Skelde, spirit of the smoke, and they are called sorcerers. A few have been privileged to see Umcherrel, the soul of the forest, and they are known as spirit masters. But none have seen a box with hundreds of legs that looked at them without eyes, and they are known as idio--" The interruption was caused by a sudden screaming noise and a flurry of snow and sparks that blew the fire across the dark hut; there was a brief blurred vision and then the opposite wall was blasted aside and the apparition vanished. There was a long silence. Then a slightly shorter silence. Then the old shaman said carefully, "You didn't just see two men go through upside down on a broomstick, shouting and screaming at each other, did you?" The boy looked at him levelly. "Certainly not," he said. The old man heaved a sigh of relief. "Thank goodness for that," he said. "Neither did I." -- Terry Pratchett, "The Light Fantastic" | |
"The straightforward and easy path was to join the proprietary software world, signing nondisclosure agreements and promising not to help my fellow hacker....I could have made money this way, and perhaps had fun programming (if I closed my eyes to how I was treating other people). But I knew that when my career was over, I would look back on years of building walls to divide people, and feel I had made the world ugly." -- Richard Stallman (Open Sources, 1999 O'Reilly and Associates) | |
Excerpts From The First Annual Nerd Bowl (#4) BRYANT DUMBELL: Welcome back. After Round 1, the Mad Hatters are ahead 15 to 12. Round 2, the Caffeine Craziness event, is now underway. JOHN SPLADDEN: This is my favorite part of the Nerdbowl. Each player tries to consume as many gallons of caffeinated beverages within one minute, and then points are awarded based on the redness of their eyes. DUMBELL: I like this event too... I must admit, it's much better than the "Crash It" event that was played in the Zeroth Annual Nerdbowl last year. Players were each seated in front of a PC running Windows 98... points were awarded based on how fast the player could cause a Blue Screen. SPLADDEN: Ah, yes, I remember that. Everybody complained that the event was too easy. "Where the hell is the challenge?" yelled Chris DiBona while doing a victory dance after the VA Linux Rich Penguins beat the SuSE Cats In The Hats last year 121-96. | |
A green hunting cap squeezed the top of the fleshy balloon of a head. The green earflaps, full of large ears and uncut hair and the fine bristles that grew in the ears themselvse, stuck out on either side like turn signals indicating two directions at once. Full, pursed lips protruded beneath the bushy black moustache and, at their corners, sank into little folds filled with disapproval and potato chip crumbs. In the shadow under the green visor of the cap Ignatius J. Reilly's supercilious blue and yellow eyes looked down upon the other people waiting under the clock at the D.H. Holmes department store, studying the crowd of people for signs of bad taste in dress. Several of the outfits, Ignatius noticed, were new enough and expensive enough to be properly considered offenses against taste and decency. Possession of anything new or expensive only reflected a person's lack of theology and geometry; it could even cast doubts upon one's soul. -- John Kennedy Toole, "Confederacy of Dunces" | |
As many of you know, I am taking a class here at UNC on Personality. One of the tests to determine personality in our book was so incredibly useful and interesting, I just had to share it. Answer each of the following items "true" or "false" 1. I think beavers work too hard. 2. I use shoe polish to excess. 3. God is love. 4. I like mannish children. 5. I have always been diturbed by the sight of Lincoln's ears. 6. I always let people get ahead of me at swimming pools. 7. Most of the time I go to sleep without saying goodbye. 8. I am not afraid of picking up door knobs. 9. I believe I smell as good as most people. 10. Frantic screams make me nervous. 11. It's hard for me to say the right thing when I find myself in a room full of mice. 12. I would never tell my nickname in a crisis. 13. A wide necktie is a sign of disease. 14. As a child I was deprived of licorice. 15. I would never shake hands with a gardener. 16. My eyes are always cold. 17. Cousins are not to be trusted. 18. When I look down from a high spot, I want to spit. 19. I am never startled by a fish. 20. I have never gone to pieces over the weekend. | |
Don't try to outweird me, three-eyes. I get stranger things than you free with my breakfast cereal. -- Zaphod Beeblebrox | |
He was so narrow-minded he could see through a keyhole with both eyes. | |
I have no right, by anything I do or say, to demean a human being in his own eyes. What matters is not what I think of him; it is what he thinks of himself. To undermine a man's self-respect is a sin. -- Antoine de Saint-Exupery | |
Obstacles are what you see when you take your eyes off your goal. | |
Sometimes when you look into his eyes you get the feeling that someone else is driving. -- David Letterman | |
What really shapes and conditions and makes us is somebody only a few of us ever have the courage to face: and that is the child you once were, long before formal education ever got its claws into you -- that impatient, all-demanding child who wants love and power and can't get enough of either and who goes on raging and weeping in your spirit till at last your eyes are closed and all the fools say, "Doesn't he look peaceful?" It is those pent-up, craving children who make all the wars and all the horrors and all the art and all the beauty and discovery in life, because they are trying to achieve what lay beyond their grasp before they were five years old. -- Robertson Davies, "The Rebel Angels" | |
A master was asked the question, "What is the Way?" by a curious monk. "It is right before your eyes," said the master. "Why do I not see it for myself?" "Because you are thinking of yourself." "What about you: do you see it?" "So long as you see double, saying `I don't', and `you do', and so on, your eyes are clouded," said the master. "When there is neither `I' nor `You', can one see it?" "When there is neither `I' nor `You', who is the one that wants to see it?" | |
An idea is an eye given by God for the seeing of God. Some of these eyes we cannot bear to look out of, we blind them as quickly as possible. -- Russell Hoban, "Pilgermann" | |
The soul would have no rainbow had the eyes no tears. | |
Well, he thought, since neither Aristotelian Logic nor the disciplines of Science seemed to offer much hope, it's time to go beyond them... Drawing a few deep even breaths, he entered a mental state practiced only by Masters of the Universal Way of Zen. In it his mind floated freely, able to rummage at will among the bits and pieces of data he had absorbed, undistracted by any outside disturbances. Logical structures no longer inhibited him. Pre-conceptions, prejudices, ordinary human standards vanished. All things, those previously trivial as well as those once thought important, became absolutely equal by acquiring an absolute value, revealing relationships not evident to ordinary vision. Like beads strung on a string of their own meaning, each thing pointed to its own common ground of existence, shared by all. Finally, each began to melt into each, staying itself while becoming all others. And Mind no longer contemplated Problem, but became Problem, destroying Subject-Object by becoming them. Time passed, unheeded. Eventually, there was a tentative stirring, then a decisive one, and Nakamura arose, a smile on his face and the light of laughter in his eyes. -- Wayfarer | |
There's so much to say but your eyes keep interrupting me. | |
Look into my eyes and try to forget that you have a Macy's charge card! | |
The seven eyes of Ningauble the Wizard floated back to his hood as he reported to Fafhrd: "I have seen much, yet cannot explain all. The Gray Mouser is exactly twenty-five feet below the deepest cellar in the palace of Gilpkerio Kistomerces. Even though twenty-four parts in twenty-five of him are dead, he is alive. "Now about Lankhmar. She's been invaded, her walls breached everywhere and desperate fighting is going on in the streets, by a fierce host which out-numbers Lankhamar's inhabitants by fifty to one -- and equipped with all modern weapons. Yet you can save the city." "How?" demanded Fafhrd. Ningauble shrugged. "You're a hero. You should know." -- Fritz Leiber, "The Swords of Lankhmar" | |
After twelve years of therapy my psychiatrist said something that brought tears to my eyes. He said, "No hablo ingles." -- Ronnie Shakes | |
"I keep seeing spots in front of my eyes." "Did you ever see a doctor?" "No, just spots." |