Max : Dictionary / Wörterbuch (BEOLINGUS, TU Chemnitz)

Proverbs, aphorisms, quotations (English)	by Linux fortune

Shopping at this grody little computer store at the Galleria for a totally awwwesome Apple. Fer suuure. I mean Apples are nice you know? But, you know, there is this cute guy who works there and HE says that VAX's are cooler! I mean I don't really know, you know? He says that he has this totally tubular VAX at home and it's stuffed with memory-to-the-max! Right, yeah. And he wants to take me home to show it to me. Oh My God! I'm suuure. Gag me with a Prime!
THE LESSER-KNOWN PROGRAMMING LANGUAGES #14 -- VALGOL VALGOL is enjoying a dramatic surge of popularity across the industry. VALGOL commands include REALLY, LIKE, WELL, and YKNOW. Variables are assigned with the =LIKE and =TOTALLY operators. Other operators include the "California booleans", AX and NOWAY. Loops are accomplished with the FOR SURE construct. A simple example: LIKE, YKNOW(I MEAN)START IF PIZZA =LIKE BITCHEN AND GUY =LIKE TUBULAR AND VALLEY GIRL =LIKE GRODY**MAX(FERSURE)*2 THEN FOR I =LIKE 1 TO OHMAYBE 100 DOWAH - (DITTY2); BARF(I)=TOTALLY GROSS(OUT) SURE LIKE, BAG THIS PROGRAM; REALLY; LIKE TOTALLY(YKNOW); IM*SURE GOTO THE MALL VALGOL is also characterized by its unfriendly error messages. For example, when the user makes a syntax error, the interpreter displays the message GAG ME WITH A SPOON! A successful compile may be termed MAXIMALLY AWESOME!
Anything that is worth doing has been done frequently. Things hitherto undone should be given, I suspect, a wide berth. -- Max Beerbohm, "Mainly on the Air"
"Morality is one thing. Ratings are everything." - A Network 23 executive on "Max Headroom"
"If it's not loud, it doesn't work!" -- Blank Reg, from "Max Headroom"
"If Jesus came back today, and saw what was going on in his name, he'd never stop throwing up." -- Max Von Sydow's character in "Hannah and Her Sisters"
"If you want the best things to happen in corporate life you have to find ways to be hospitable to the unusual person. You don't get innovation as a democratic process. You almost get it as an anti-democratic process. Certainly you get it as an anthitetical process, so you have to have an environment where the body of people are really amenable to change and can deal with the conflicts that arise out of change an innovation." -- Max DePree, chairman and CEO of Herman Miller Inc., "Herman Miller's Secrets of Corporate Creativity", The Wall Street Journal, May 3, 1988
"In corporate life, I think there are three important areas which contracts can't deal with, the area of conflict, the area of change and area of reaching potential. To me a covenant is a relationship that is based on such things as shared ideals and shared value systems and shared ideas and shared agreement as to the processes we are going to use for working together. In many cases they develop into real love relationships." -- Max DePree, chairman and CEO of Herman Miller Inc., "Herman Miller's Secrets of Corporate Creativity", The Wall Street Journal, May 3, 1988
Another goal is to establish a relationship "in which it is OK for everybody to do their best. There are an awful lot of people in management who really don't want subordinates to do their best, because it gets to be very threatening. But we have found that both internally and with outside designers if we are willing to have this kind of relationship and if we're willing to be vulnerable to what will come out of it, we get really good work." -- Max DePree, chairman and CEO of Herman Miller Inc., "Herman Miller's Secrets of Corporate Creativity", The Wall Street Journal, May 3, 1988
In his book, Mr. DePree tells the story of how designer George Nelson urged that the company also take on Charles Eames in the late 1940s. Max's father, J. DePree, co-founder of the company with herman Miller in 1923, asked Mr. Nelson if he really wanted to share the limited opportunities of a then-small company with another designer. "George's response was something like this: 'Charles Eames is an unusual talent. He is very different from me. The company needs us both. I want very much to have Charles Eames share in whatever potential there is.'" -- Max DePree, chairman and CEO of Herman Miller Inc., "Herman Miller's Secrets of Corporate Creativity", The Wall Street Journal, May 3, 1988
Mr. DePree believes participative capitalism is the wave of the future. The U.S. work force, he believes, "more and more demands to be included in the capitalist system and if we don't find ways to get the capitalist system to be an inclusive system rather than the exclusive system it has been, we're all in deep trouble. If we don't find ways to begin to understand that capitalism's highest potential lies in the common good, not in the individual good, then we're risking the system itself." -- Max DePree, chairman and CEO of Herman Miller Inc., "Herman Miller's Secrets of Corporate Creativity", The Wall Street Journal, May 3, 1988
Mr. DePree also expects a "tremendous social change" in all workplaces. "When I first started working 40 years ago, a factory supervisor was focused on the product. Today it is drastically different, because of the social milieu. It isn't unusual for a worker to arrive on his shift and have some family problem that he doesn't know how to resolve. The example I like to use is a guy who comes in and says 'this isn't going to be a good day for me, my son is in jail on a drunk-driving charge and I don't know how to raise bail.' What that means is that if the supervisor wants productivity, he has to know how to raise bail." -- Max DePree, chairman and CEO of Herman Miller Inc., "Herman Miller's Secrets of Corporate Creativity", The Wall Street Journal, May 3, 1988
The so-called lessons of history are for the most part the rationalizations of the victors. History is written by the survivors. -- Max Lerner
Theorem: All positive integers are equal. Proof: Sufficient to show that for any two positive integers, A and B, A = B. Further, it is sufficient to show that for all N > 0, if A and B (positive integers) satisfy (MAX(A, B) = N) then A = B. Proceed by induction: If N = 1, then A and B, being positive integers, must both be 1. So A = B. Assume that the theorem is true for some value k. Take A and B with MAX(A, B) = k+1. Then MAX((A-1), (B-1)) = k. And hence (A-1) = (B-1). Consequently, A = B.
A scientific truth does not triumph by convincing its opponents and making them see the light, but rather because its opponents eventually die and a new generation grows up that is familiar with it. -- Max Planck
There was a little girl Who had a little curl Right in the middle of her forehead. When she was good, she was very, very good And when she was bad, she was very, very popular. -- Max Miller, "The Max Miller Blue Book"
Max told his friend that he'd just as soon not go hiking in the hills. Said he, "I'm an anti-climb Max." [So is that punchline.]
"And finally, " said Max, quieting the audience down and putting on his solemn face, "finally I believe we have with us here tonight, a party of believers, very devout believers, from the Church of the Second Coming of the Great Prophet Zarquon. " ... "There they are, " said Max, "sitting there, patiently. He said he'd come again, and he's kept you waiting a long time, so let's hope he's hurrying fellas, because he's only got eight minutes left! "
What is involved in such [close] relationships is a form of emotional chemistry, so far unexplained by any school of psychiatry I am aware of, that conditions nothing so simple as a choice between the poles of attraction and repulsion. You can meet some people thirty, forty times down the years, and they remain amiable bystanders, like the shore lights of towns that a sailor passes at stated times but never calls at on the regular run. Conversely, all considerations of sex aside, you can meet some other people once or twice and they remain permanent influences on your life. Everyone is aware of this discrepancy between the acquaintance seen as familiar wallpaper or instant friend. The chemical action it entails is less worth analyzing than enjoying. At any rate, these six pieces are about men with whom I felt an immediate sympat - to use a coining of Max Beerbohm's more satisfactory to me than the opaque vogue word "empathy". -- Alistair Cooke, "Six Men"