walls : Dictionary / Wörterbuch (BEOLINGUS, TU Chemnitz)

Proverbs, aphorisms, quotations (English)	by Linux fortune

IV. The time required for an object to fall twenty stories is greater than or equal to the time it takes for whoever knocked it off the ledge to spiral down twenty flights to attempt to capture it unbroken. Such an object is inevitably priceless, the attempt to capture it inevitably unsuccessful. V. All principles of gravity are negated by fear. Psychic forces are sufficient in most bodies for a shock to propel them directly away from the earth's surface. A spooky noise or an adversary's signature sound will induce motion upward, usually to the cradle of a chandelier, a treetop, or the crest of a flagpole. The feet of a character who is running or the wheels of a speeding auto need never touch the ground, especially when in flight. VI. As speed increases, objects can be in several places at once. This is particularly true of tooth-and-claw fights, in which a character's head may be glimpsed emerging from the cloud of altercation at several places simultaneously. This effect is common as well among bodies that are spinning or being throttled. A "wacky" character has the option of self-replication only at manic high speeds and may ricochet off walls to achieve the velocity required. -- Esquire, "O'Donnell's Laws of Cartoon Motion", June 1980
VII. Certain bodies can pass through solid walls painted to resemble tunnel entrances; others cannot. This trompe l'oeil inconsistency has baffled generations, but at least it is known that whoever paints an entrance on a wall's surface to trick an opponent will be unable to pursue him into this theoretical space. The painter is flattened against the wall when he attempts to follow into the painting. This is ultimately a problem of art, not of science. VIII. Any violent rearrangement of feline matter is impermanent. Cartoon cats possess even more deaths than the traditional nine lives might comfortably afford. They can be decimated, spliced, splayed, accordion-pleated, spindled, or disassembled, but they cannot be destroyed. After a few moments of blinking self pity, they reinflate, elongate, snap back, or solidify. IX. For every vengeance there is an equal and opposite revengeance. This is the one law of animated cartoon motion that also applies to the physical world at large. For that reason, we need the relief of watching it happen to a duck instead. X. Everything falls faster than an anvil. Examples too numerous to mention from the Roadrunner cartoons. -- Esquire, "O'Donnell's Laws of Cartoon Motion", June 1980
No live organism can continue for long to exist sanely under conditions of absolute reality; even larks and katydids are supposed, by some, to dream. Hill House, not sane, stood by itself against its hills, holding darkness within; it had stood so for eighty years and might stand for eighty more. Within, walls continued upright, bricks met neatly, floors were firm, and doors were sensibly shut; silence lay steadily against the wood and stone of Hill House, and whatever walked there, walked alone. -- Shirley Jackson, "The Haunting of Hill House"
You see, I consider that a man's brain originally is like a little empty attic, and you have to stock it with such furniture as you choose. A fool takes in all the lumber of every sort he comes across, so that the knowledge which might be useful to him gets crowded out, or at best is jumbled up with a lot of other things, so that he has difficulty in laying his hands upon it. Now the skilful workman is very careful indeed as to what he takes into his brain-attic. He will have nothing but the tools which may help him in doing his work, but of these he has a large assortment, and all in the most perfect order. It is a mistake to think that that little room has elastic walls and can distend to any extent. Depend upon it there comes a time when for every addition of knowledge you forget something that you knew before. It is of the highest importance, therefore, not to have useless facts elbowing out the useful ones. -- Sir Arthur Conan Doyle, "A Study in Scarlet"
A morgue is a morgue is a morgue. They can paint the walls with aggressively cheerful primary colors and splashy bold graphics, but it's still a holding place for the dead until they can be parted out to organ banks. Not that I would have cared normally but my viewpoint was skewed. The relentless pleasance of the room I sat in seemed only grotesque. -- Pat Cadigan, "Mindplayers"
I have stripped off my dress; must I put it on again? I have washed my feet; must I soil them again? When my beloved slipped his hand through the latch-hole, my bowels stirred within me [my bowels were moved for him (KJV)]. When I arose to open for my beloved, my hands dripped with myrrh; the liquid myrrh from my fingers ran over the knobs of the bolt. With my own hands I opened to my love, but my love had turned away and gone by; my heart sank when he turned his back. I sought him but I did not find him, I called him but he did not answer. The watchmen, going the rounds of the city, met me; they struck me and wounded me; the watchmen on the walls took away my cloak. [Song of Solomon 5:3-7 (NEB)]
Fortune's graffito of the week (or maybe even month): Don't Write On Walls! (and underneath) You want I should type?
I myself have dreamed up a structure intermediate between Dyson spheres and planets. Build a ring 93 million miles in radius -- one Earth orbit -- around the sun. If we have the mass of Jupiter to work with, and if we make it a thousand miles wide, we get a thickness of about a thousand feet for the base. And it has advantages. The Ringworld will be much sturdier than a Dyson sphere. We can spin it on its axis for gravity. A rotation speed of 770 m/s will give us a gravity of one Earth normal. We wouldn't even need to roof it over. Place walls one thousand miles high at each edge, facing the sun. Very little air will leak over the edges. Lord knows the thing is roomy enough. With three million times the surface area of the Earth, it will be some time before anyone complains of the crowding. -- Larry Niven, "Ringworld"
In Xanadu did Kubla Khan A stately pleasure dome decree: Where Alph, the sacred river, ran Through caverns measureless to man Down to a sunless sea. So twice five miles of fertile ground With walls and towers were girdled round: And there were gardens bright with sinuous rills, Where blossomed many an incense-bearing tree; And here were forest ancient as the hills, Enfolding sunny spots of greenery. -- S.T. Coleridge, "Kubla Kahn"
"My name is Sue! How do you do?! Now you gonna die!" Well, I hit him hard right between the eyes, And he went down, but to my surprise, Come up with a knife and cut off a piece of my ear. So I busted a chair right across his teeth, And we crashed through the walls and into the streets, Kickin' and a-gougin' in the mud and the blood and beer. Now I tell you, I've fought tougher men, But I really can't remember when: He kicked like a mule and he bit like a crocodile. But I heard him laugh and then I heard him cuss, And he went for his gun, but I pulled mine first, And he sat there lookin' at me, and I saw him smile. He said: "Son, this world is rough, And if a man's gonna make it he's gotta be tough, And I knew I wouldn't be there to help you along. So I give you that name and I said goodbye, And I knew you'd have to get tough or die, And it's that name that's helped to make you strong! -- Johnny Cash, "A Boy Named Sue"
Nothing that's forced can ever be right, If it doesn't come naturally, leave it. That's what she said as she turned out the light, And we bent our backs as slaves of the night, Then she lowered her guard and showed me the scars She got from trying to fight Saying, oh, you'd better believe it. [...] Well nothing that's real is ever for free And you just have to pay for it sometime. She said it before, she said it to me, I suppose she believed there was nothing to see, But the same old four imaginary walls She'd built for livin' inside I said oh, you just can't mean it. [...] Well nothing that's forced can ever be right, If it doesn't come naturally, leave it. That's what she said as she turned out the light, And she may have been wrong, and she may have been right, But I woke with the frost, and noticed she'd lost The veil that covered her eyes, I said oh, you can leave it. -- Al Stewart, "If It Doesn't Come Naturally, Leave It"
On a morning from a Bogart movie, in a country where they turned back time, You go strolling through the crowd like Peter Lorre contemplating a crime. She comes out of the sun in a silk dress running like a watercolor in the rain. Don't bother asking for explanations, she'll just tell you that she came In the Year of the Cat. She doesn't give you time for questions, as she locks up your arm in hers, And you follow 'till your sense of which direction completely disappears. By the blue-tiled walls near the market stall there's a hidden door she leads you to. These days, she say, I feel my life just like a river running through The Year of the Cat. Well, she looks at you so coolly, And her eyes shine like the moon in the sea. She comes in incense and patchouli, So you take her to find what's waiting inside The Year of the Cat. Well, morning comes and you're still with her, but the bus and the tourists are gone, And you've thrown away your choice and lost your ticket, so you have to stay on. But the drum-beat strains of the night remain in the rhythm of the new-born day. You know some time you're bound to leave her, but for now you're going to stay In the Year of the Cat. -- Al Stewart, "Year of the Cat"
'Twas bullig, and the slithy brokers Did buy and gamble in the craze "Beware the Jabberstock, my son! All rosy were the Dow Jones stokers The cost that bites, the worth By market's wrath unphased. that falls! Beware the Econ'mist's word, and shun He took his forecast sword in hand: The spurious Street o' Walls!" Long time the Boesk'some foe he sought - Sake's liquidity, so d'vested he, And as in bearish thought he stood And stood awhile in thought. The Jabberstock, with clothes of tweed, Came waffling with the truth too good, Chip Black! Chip Blue! And through And yuppied great with greed! and through The forecast blade went snicker-snack! "And hast thou slain the Jabberstock? It bit the dirt, and with its shirt, Come to my firm, V.P.ish boy! He went rebounding back. O big bucks day! Moolah! Good Play!" He bought him a Mercedes Toy. 'Twas panic, and the slithy brokers Did gyre and tumble in the Crash All flimsy were the Dow Jones stokers And mammon's wrath them bash! -- Peter Stucki, "Jabberstocky"
"The straightforward and easy path was to join the proprietary software world, signing nondisclosure agreements and promising not to help my fellow hacker....I could have made money this way, and perhaps had fun programming (if I closed my eyes to how I was treating other people). But I knew that when my career was over, I would look back on years of building walls to divide people, and feel I had made the world ugly." -- Richard Stallman (Open Sources, 1999 O'Reilly and Associates)
Everyone writes on the walls except me. -Said to be graffiti seen in Pompeii
Brief History Of Linux (#4) Walls & Windows Most people don't realize that many of the technological innovations taken for granted in the 20th Century date back centuries ago. The concept of a network "firewall", for instance, is a product of the Great Wall of China, a crude attempt to keep raging forest fires out of Chinese territory. It was soon discovered that the Wall also kept Asian intruders ("steppe kiddies") out, just as modern-day firewalls keep network intruders ("script kiddies") out. Meanwhile, modern terminology for graphical user interfaces originated from Pre-Columbian peoples in Central and South America. These natives would drag-and-drop icons (sculptures of the gods) into vast pits of certain gooey substances during a ritual in which "mice" (musical instruments that made a strange clicking sound) were played to an eerie beat.
"This, btw, is not something I would suggest you do in your living room. Getting a penguin to pee on demand is _messy_. We're talking yellow spots on the walls, on the ceiling, yea verily even behind the fridge. However. I would also advice against doing this outside - it may be a lot easier to clean up, but you're likely to get reported and arrested for public lewdness Never mind that you had a perfectly good explanation for it all." - Linus Torvalds on sprinkling holy penguin pee
Long were the days of pain I have spent within its walls, and long were the nights of aloneness; and who can depart from his pain and his aloneness without regret? -- Kahlil Gibran, "The Prophet"
"... being a Linux user is sort of like living in a house inhabited by a large family of carpenters and architects. Every morning when you wake up, the house is a little different. Maybe there is a new turret, or some walls have moved. Or perhaps someone has temporarily removed the floor under your bed." - Unix for Dummies, 2nd Edition -- found in the .sig of Rob Riggs, rriggs@tesser.com
The seven eyes of Ningauble the Wizard floated back to his hood as he reported to Fafhrd: "I have seen much, yet cannot explain all. The Gray Mouser is exactly twenty-five feet below the deepest cellar in the palace of Gilpkerio Kistomerces. Even though twenty-four parts in twenty-five of him are dead, he is alive. "Now about Lankhmar. She's been invaded, her walls breached everywhere and desperate fighting is going on in the streets, by a fierce host which out-numbers Lankhamar's inhabitants by fifty to one -- and equipped with all modern weapons. Yet you can save the city." "How?" demanded Fafhrd. Ningauble shrugged. "You're a hero. You should know." -- Fritz Leiber, "The Swords of Lankhmar"