Proverbs, aphorisms, quotations (English) | by Linux fortune |
Best Mistakes In Films In his "Filmgoer's Companion", Mr. Leslie Halliwell helpfully lists four of the cinema's greatest moments which you should get to see if at all possible. In "Carmen Jones", the camera tracks with Dorothy Dandridge down a street; and the entire film crew is reflected in the shop window. In "The Wrong Box", the roofs of Victorian London are emblazoned with television aerials. In "Decameron Nights", Louis Jourdain stands on the deck of his fourteenth century pirate ship; and a white lorry trundles down the hill in the background. In "Viking Queen", set in the times of Boadicea, a wrist watch is clearly visible on one of the leading characters. -- Stephen Pile, "The Book of Heroic Failures" | |
Kramer's Law: You can never tell which way the train went by looking at the tracks. | |
I lay my head on the railroad tracks, Waitin' for the double E. The railroad don't run no more. Poor poor pitiful me. [chorus] Poor poor pitiful me, poor poor pitiful me. These young girls won't let me be, Lord have mercy on me! Woe is me! Well, I met a girl, West Hollywood, Well, I ain't naming names. But she really worked me over good, She was just like Jesse James. She really worked me over good, She was a credit to her gender. She put me through some changes, boy, Sort of like a Waring blender. [chorus] I met a girl at the Rainbow Bar, She asked me if I'd beat her. She took me back to the Hyatt House, I don't want to talk about it. [chorus] -- Warren Zevon, "Poor Poor Pitiful Me" | |
Nine-track tapes and seven-track tapes And tapes without any tracks; Stretchy tapes and snarley tapes And tapes mixed up on the racks -- Take hold of the tape And pull off the strip, And then you'll be sure Your tape drive will skip. -- Uncle Colonel's Cursory Rhymes | |
She stood on the tracks Waving her arms Leading me to that third rail shock Quick as a wink She changed her mind She gave me a night That's all it was What will it take until I stop Kidding myself Wasting my time There's nothing else I can do 'Cause I'm doing it all for Leyna I don't want anyone new 'Cause I'm living it all for Leyna There's nothing in it for you 'Cause I'm giving it all to Leyna -- Billy Joel, "All for Leyna" (Glass Houses) | |
A good walker leaves no tracks; A good speaker makes no slips; A good reckoner needs no tally. A good door needs no lock, Yet no one can open it. Good binding requires no knots, Yet no one can loosen it. Therefore the sage takes care of all men And abandons no one. He takes care of all things And abandons nothing. This is called "following the light." What is a good man? A teacher of a bad man. What is a bad man? A good man's charge. If the teacher is not respected, And the student not cared for, Confusion will arise, however clever one is. This is the crux of mystery. | |
You can never tell which way the train went by looking at the tracks. | |
By the middle 1880's, practically all the roads except those in the South, were of the present standard gauge. The southern roads were still five feet between rails. It was decided to change the gauge of all southern roads to standard, in one day. This remarkable piece of work was carried out on a Sunday in May of 1886. For weeks beforehand, shops had been busy pressing wheels in on the axles to the new and narrower gauge, to have a supply of rolling stock which could run on the new track as soon as it was ready. Finally, on the day set, great numbers of gangs of track layers went to work at dawn. Everywhere one rail was loosened, moved in three and one-half inches, and spiked down in its new position. By dark, trains from anywhere in the United States could operate over the tracks in the South, and a free interchange of freight cars everywhere was possible. -- Robert Henry, "Trains", 1957 |