Dictionary De - En
De - Es
De - Pt| Proverbs, aphorisms, quotations (English) | by Linux fortune |
| Any fool can paint a picture, but it takes a wise person to be able to sell it. | |
| It is something to be able to paint a particular picture, or to carve a statue, and so to make a few objects beautiful; but it is far more glorious to carve and paint the very atmosphere and medium through which we look, which morally we can do. To affect the quality of the day, that is the highest of arts. Every man is tasked to make his life, even in its details, worthy of the contemplation of his most elevated and critical hour. -- Henry David Thoreau, "Where I Live" | |
| A morgue is a morgue is a morgue. They can paint the walls with aggressively cheerful primary colors and splashy bold graphics, but it's still a holding place for the dead until they can be parted out to organ banks. Not that I would have cared normally but my viewpoint was skewed. The relentless pleasance of the room I sat in seemed only grotesque. -- Pat Cadigan, "Mindplayers" | |
| If graphics hackers are so smart, why can't they get the bugs out of fresh paint? | |
| Now she speaks rapidly. "Do you know *why* you want to program?" He shakes his head. He hasn't the faintest idea. "For the sheer *joy* of programming!" she cries triumphantly. "The joy of the parent, the artist, the craftsman. "You take a program, born weak and impotent as a dimly-realized solution. You nurture the program and guide it down the right path, building, watching it grow ever stronger. Sometimes you paint with tiny strokes, a keystroke added here, a keystroke changed there." She sweeps her arm in a wide arc. "And other times you savage whole *blocks* of code, ripping out the program's very *essence*, then beginning anew. But always building, creating, filling the program with your own personal stamp, your own quirks and nuances. Watching the program grow stronger, patching it when it crashes, until finally it can stand alone -- proud, powerful, and perfect. This is the programmer's finest hour!" Softly at first, then louder, he hears the strains of a Sousa march. "This ... this is your canvas! your clay! Go forth and create a masterwork!" | |
| Ritchie's Rule: (1) Everything has some value -- if you use the right currency. (2) Paint splashes last longer than the paint job. (3) Search and ye shall find -- but make sure it was lost. | |
| Blue paint today. [Funny to Jack Slingwine, Guy Harris and Hal Pierson. Ed.] | |
| Woody: What's the story, Mr. Peterson? Norm: The Bobbsey twins go to the brewery. Let's just cut to the happy ending. -- Cheers, Airport V Woody: Hey, Mr. Peterson, there's a cold one waiting for you. Norm: I know, and if she calls, I'm not here. -- Cheers, Bar Wars II: The Woodman Strikes Back Sam: Beer, Norm? Norm: Have I gotten that predictable? Good. -- Cheers, Don't Paint Your Chickens | |
| Woody: What's going on, Mr. Peterson? Norm: Let's talk about what's going *in* Mr. Peterson. A beer, Woody. -- Cheers, Paint Your Office Sam: How's life treating you? Norm: It's not, Sammy, but that doesn't mean you can't. -- Cheers, A Kiss is Still a Kiss Woody: Can I pour you a draft, Mr. Peterson? Norm: A little early, isn't it Woody? Woody: For a beer? Norm: No, for stupid questions. -- Cheers, Let Sleeping Drakes Lie | |
| You always have the option of pitching baseballs at empty spray paint cans in a cul-de-sac in a Cleveland suburb. | |
| I bought some used paint. It was in the shape of a house. -- Steven Wright | |
| It's a small world, but I wouldn't want to have to paint it. -- Steven Wright | |
| Something better... 1 (obvious): Excuse me. Is that your nose or did a bus park on your face? 2 (meteorological): Everybody take cover. She's going to blow. 3 (fashionable): You know, you could de-emphasize your nose if you wore something larger. Like ... Wyoming. 4 (personal): Well, here we are. Just the three of us. 5 (punctual): Alright gentlemen. Your nose was on time but you were fifteen minutes late. 6 (envious): Oooo, I wish I were you. Gosh. To be able to smell your own ear. 7 (naughty): Pardon me, Sir. Some of the ladies have asked if you wouldn't mind putting that thing away. 8 (philosophical): You know. It's not the size of a nose that's important. It's what's in it that matters. 9 (humorous): Laugh and the world laughs with you. Sneeze and it's goodbye, Seattle. 10 (commercial): Hi, I'm Earl Schibe and I can paint that nose for $39.95. 11 (polite): Ah. Would you mind not bobbing your head. The orchestra keeps changing tempo. 12 (melodic): Everybody! "He's got the whole world in his nose." -- Steve Martin, "Roxanne" | |
| Tell a man there are 300 billion stars in the universe and he'll believe you. Tell him a bench has wet paint on it and he'll have to touch to be sure. | |
| Your Co-worker Could Be a Space Alien, Say Experts ...Here's How You Can Tell Many Americans work side by side with space aliens who look human -- but you can spot these visitors by looking for certain tip-offs, say experts. They listed 10 signs to watch for: (3) Bizarre sense of humor. Space aliens who don't understand earthly humor may laugh during a company training film or tell jokes that no one understands, said Steiger. (6) Misuses everyday items. "A space alien may use correction fluid to paint its nails," said Steiger. (8) Secretive about personal life-style and home. "An alien won't discuss details or talk about what it does at night or on weekends." (10) Displays a change of mood or physical reaction when near certain high-tech hardware. "An alien may experience a mood change when a microwave oven is turned on," said Steiger. The experts pointed out that a co-worker would have to display most if not all of these traits before you can positively identify him as a space alien. -- National Enquirer, Michael Cassels, August, 1984. [I thought everybody laughed at company training films. Ed.] | |
| <Overfiend> xhost +localhost should only be done by people who would paint their hostname and root password on an interstate overpass. | |
| Most of what I really need to know about how to live, and what to do, and how to be, I learned in kindergarten. Wisdom was not at the top of the graduate school mountain but there in the sandbox at nursery school. These are the things I learned: Share everything. Play fair. Don't hit people. Put things back where you found them. Clean up your own mess. Don't take things that aren't yours. Say you're sorry when you hurt someone. Wash your hands before you eat. Flush. Warm cookies and cold milk are good for you. Live a balanced life. Learn some and think some and draw and paint and sing and dance and play and work some every day. Take a nap every afternoon. When you go out into the world, watch for traffic, hold hands, and stick together. Be aware of wonder. Remember the little seed in the plastic cup. The roots go down and the plant goes up and nobody really knows how or why, but we are all like that. Goldfish and hamsters and white mice and even the little seed in the plastic cup -- they all die. So do we. And then remember the book about Dick and Jane and the first word you learned, the biggest word of all: LOOK. Everything you need to know is in there somewhere. The Golden Rule and love and basic sanitation. Ecology and politics and sane living. Think of what a better world it would be if we all -- the whole world -- had cookies and milk about 3 o'clock every afternoon and then lay down with our blankets for a nap. Or if we had a basic policy in our nation and other nations to always put things back where we found them and cleaned up our own messes. And it is still true, no matter how old you are, when you go out into the world it is best to hold hands and stick together. -- Robert Fulghum, "All I ever really needed to know I learned in kindergarten" | |
| There was a college student trying to earn some pocket money by going from house to house offering to do odd jobs. He explained this to a man who answered one door. "How much will you charge to paint my porch?" asked the man. "Forty dollars." "Fine" said the man, and gave the student the paint and brushes. Three hours later the paint-splattered lad knocked on the door again. "All done!", he says, and collects his money. "By the way," the student says, "That's not a Porsche, it's a Ferrari." | |
| Maybe we could paint GOLDIE HAWN a rich PRUSSIAN BLUE -- | |
