musical : Dictionary / Wörterbuch (BEOLINGUS, TU Chemnitz)

Proverbs, aphorisms, quotations (English)	by Linux fortune

A musical reviewer admitted he always praised the first show of a new theatrical season. "Who am I to stone the first cast?"
A young man wrote to Mozart and said: Q: "Herr Mozart, I am thinking of writing symphonies. Can you give me any suggestions as to how to get started?" A: "A symphony is a very complex musical form, perhaps you should begin with some simple lieder and work your way up to a symphony." Q: "But Herr Mozart, you were writing symphonies when you were 8 years old." A: "But I never asked anybody how."
Around the turn of this century, a composer named Camille Saint-Saens wrote a satirical zoological-fantasy called "Le Carnaval des Animaux." Aside from one movement of this piece, "The Swan", Saint-Saens didn't allow this work to be published or even performed until a year had elapsed after his death. (He died in 1921.) Most of us know the "Swan" movement rather well, with its smooth, flowing cello melody against a calm background; but I've been having this fantasy... What if he had written this piece with lyrics, as a song to be sung? And, further, what if he had accompanied this song with a musical saw? (This instrument really does exist, often played by percussionists!) Then the piece would be better known as: SAINT-SAENS' SAW SONG "SWAN"!
The Worst Musical Trio There are few bad musicians who have a chance to give a recital at a famous concert hall while still learning the rudiments of their instrument. This happened about thirty years ago to the son of a Rumanian gentleman who was owed a personal favour by Georges Enesco, the celebrated violinist. Enesco agreed to give lessons to the son who was quite unhampered by great musical talent. Three years later the boy's father insisted that he give a public concert. "His aunt said that nobody plays the violin better than he does. A cousin heard him the other day and screamed with enthusiasm." Although Enesco feared the consequences, he arranged a recital at the Salle Gaveau in Paris. However, nobody bought a ticket since the soloist was unknown. "Then you must accompany him on the piano," said the boy's father, "and it will be a sell out." Reluctantly, Enesco agreed and it was. On the night an excited audience gathered. Before the concert began Enesco became nervous and asked for someone to turn his pages. In the audience was Alfred Cortot, the brilliant pianist, who volunteered and made his way to the stage. The soloist was of uniformly low standard and next morning the music critic of Le Figaro wrote: "There was a strange concert at the Salle Gaveau last night. The man whom we adore when he plays the violin played the piano. Another whom we adore when he plays the piano turned the pages. But the man who should have turned the pages played the violin." -- Stephen Pile, "The Book of Heroic Failures"
"I believe the use of noise to make music will increase until we reach a music produced through the aid of electrical instruments which will make available for musical purposes any and all sounds that can be heard." -- composer John Cage, 1937
So we get to my point. Surely people around here read things that aren't on the Officially Sanctioned Cyberpunk Reading List. Surely we don't (any of us) really believe that there is some big, deep political and philosophical message in all this, do we? So if this `cyberpunk' thing is just a term of convenience, how can somebody sell out? If cyberpunk is just a word we use to describe a particular style and imagery in sf, how can it be dead? Where are the profound statements that the `Movement' is or was trying to make? I think most of us are interested in examining and discussing literary (and musical) works that possess a certain stylistic excellence and perhaps a rather extreme perspective; this is what CP is all about, no? Maybe there should be a newsgroup like, say, alt.postmodern or somthing. Something less restrictive in scope than alt.cyberpunk. -- Jeff G. Bone
Musical Hairsplitting: The act of classifying music and musicians into pathologically picayune categories: "The Vienna Franks are a good example of urban white acid fold revivalism crossed with ska." -- Douglas Coupland, "Generation X: Tales for an Accelerated Culture"
Brief History Of Linux (#4) Walls & Windows Most people don't realize that many of the technological innovations taken for granted in the 20th Century date back centuries ago. The concept of a network "firewall", for instance, is a product of the Great Wall of China, a crude attempt to keep raging forest fires out of Chinese territory. It was soon discovered that the Wall also kept Asian intruders ("steppe kiddies") out, just as modern-day firewalls keep network intruders ("script kiddies") out. Meanwhile, modern terminology for graphical user interfaces originated from Pre-Columbian peoples in Central and South America. These natives would drag-and-drop icons (sculptures of the gods) into vast pits of certain gooey substances during a ritual in which "mice" (musical instruments that made a strange clicking sound) were played to an eerie beat.