Dictionary De - En
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De - Pt| Proverbs, aphorisms, quotations (English) | by Linux fortune |
| Lassie looked brilliant, in part because the farm family she lived with was made up of idiots. Remember? One of them was always getting pinned under the tractor, and Lassie was always rushing back to the farmhouse to alert the other ones. She'd whimper and tug at their sleeves, and they'd always waste precious minutes saying things: "Do you think something's wrong? Do you think she wants us to follow her? What is it, girl?", etc., as if this had never happened before, instead of every week. What with all the time these people spent pinned under the tractor, I don't see how they managed to grow any crops whatsoever. They probably got by on federal crop supports, which Lassie filed the applications for. -- Dave Barry | |
| Potahto' Pictures Productions Presents: SPUD ROGERS OF THE 25TH CENTURY: Story of an Air Force potato that's left in a rarely used chow hall for over two centuries and wakes up in a world populated by soybean created imitations under the evil Dick Tater. Thanks to him, the soy-potatoes learn that being a 'tater is where it's at. Memorable line, "'Cause I'm just a stud spud!" FRIDAY THE 13TH DINER SERIES: Crazed potato who was left in a fryer too long and was charbroiled carelessly returns to wreak havoc on unsuspecting, would-be teen camp cooks. Scenes include a girl being stuffed with chives and Fleischman's Margarine and a boy served up on a side dish with beets and dressing. Definitely not for the squeamish, or those on diets that are driving them crazy. FRIDAY THE 13TH DINER II,III,IV,V,VI: Much, much more of the same. Except with sour cream. | |
| Potahto' Pictures Productions Presents: THE TATERNATOR: Cyborg spud returns from the future to present-day McDonald's restaurant to kill the potatoess (girl 'tater) who will give birth to the world's largest french fry (The Dark Powers of Burger King are clearly behind this). Most quotable line: "Ah'll be baked..." A FISTFUL OF FRIES: Western in which our hero, The Spud with No Name, rides into a town that's deprived of carbohydrates thanks to the evil takeover of the low-cal Scallopinni Brothers. Plenty of smokeouts, fry-em-ups, and general butter-melting by all. FOR A FEW FRIES MORE: Takes up where AFOF left off! Cameo by Walter Cronkite, as every man's common 'tater! | |
| The Great Movie Posters: Different! Daring! Dynamic! Defying! Dumbfounding! SEE Uncle Tom lead the Negroes to FREEDOM! ... Now, all the SENSUAL and VIOLENT passions Roots couldn't show on TV! -- Uncle Tom's Cabin (1972) An appalling amalgam of carnage and carnality! -- Flesh and Blood Show (1973) WHEN THE CATS ARE HUNGRY... RUN FOR YOUR LIVES! Alone, only a harmless pet... One Thousand Strong, They Become a Man-Eating Machine! -- The Night of a Thousand Cats (1972) They're Over-Exposed But Not Under-Developed! -- Cover Girl Models (1976) | |
| The Great Movie Posters: KATHERINE HEPBURN as the lying, stealing, singing, preying witch girl of the Ozarks... "Low down white trash"? Maybe so -- but let her hear you say it and she'll break your head to prove herself a lady! -- Spitfire (1934) Do Native Women Live With Apes? -- Love Life of a Gorilla (1937) JUNGLE KISS!! When she looked into his eyes, felt his arms around her -- she was no longer Tura, mysterious white goddess of the jungle tribes -- she was no longer the frozen-hearted high priestess under whose hypnotic spell the worshippers of the great crocodile god meekly bowed -- she was a girl in love! SEE the ravening charge of the hundred scared CROCODILES! -- Her Jungle Love (1938) LOVE! HATE! JOY! FEAR! TORMENT! PANIC! SHAME! RAGE! -- Intermezzo (1939) | |
| The Great Movie Posters: POWERFUL! SHOCKING! RAW! ROUGH! CHALLENGING! SEE A LITTLE GIRL MOLESTED! -- Never Take Candy from a Stranger (1963) She Sins in Mobile -- Marries in Houston -- Loses Her Baby in Dallas -- Leaves Her Husband in Tuscon -- MEETS HARRU IN SAN DIEGO!... FIRST -- HARLOW! THEN -- MONROE! NOW -- McCLANAHAN!!! -- The Rotten Apple (1963), Rue McClanahan *NOT FOR SISSIES! DON'T COME IF YOU'RE CHICKEN! A Horrifying Movie of Wierd Beauties and Shocking Monsters... 1001 WIERDEST SCENES EVER!! MOST SHOCKING THRILLER OF THE CENTURY! -- Teenage Psycho meets Bloody Mary (1964) (Alternate Title: The Incredibly Strange Creatures Who Stopped Living and Became Mixed Up Zombies) | |
| The Great Movie Posters: When You're Six Tons -- And They Call You Killer -- It's Hard To Make Friends... -- Namu, the Killer Whale (1966) Meet the Girls with the Thermo-Nuclear Navels! -- Dr. Goldfoot and the Girl Bombs (1966) A GHASTLY TALE DRENCHED WITH GOUTS OF BLOOD SPURTING FROM THE VICTIMS OF A CRAZED MADMAN'S LUST. -- A Taste of Blood (1967) | |
| A Tale of Two Cities LITE(tm) -- by Charles Dickens A lawyer who looks like a French Nobleman is executed in his place. The Metamorphosis LITE(tm) -- by Franz Kafka A man turns into a bug and his family gets annoyed. Lord of the Rings LITE(tm) -- by J.R.R. Tolkien Some guys take a long vacation to throw a ring into a volcano. Hamlet LITE(tm) -- by Wm. Shakespeare A college student on vacation with family problems, a screwy girl-friend and a mother who won't act her age. | |
| A Tale of Two Cities LITE(tm) -- by Charles Dickens A man in love with a girl who loves another man who looks just like him has his head chopped off in France because of a mean lady who knits. Crime and Punishment LITE(tm) -- by Fyodor Dostoevski A man sends a nasty letter to a pawnbroker, but later feels guilty and apologizes. The Odyssey LITE(tm) -- by Homer After working late, a valiant warrior gets lost on his way home. | |
| We were young and our happiness dazzled us with its strength. But there was also a terrible betrayal that lay within me like a Merle Haggard song at a French restaurant. [...] I could not tell the girl about the woman of the tollway, of her milk white BMW and her Jordache smile. There had been a fight. I had punched her boyfriend, who fought the mechanical bulls. Everyone told him, "You ride the bull, senor. You do not fight it." But he was lean and tough like a bad rib-eye and he fought the bull. And then he fought me. And when we finished there were no winners, just men doing what men must do. [...] "Stop the car," the girl said. There was a look of terrible sadness in her eyes. She knew about the woman of the tollway. I knew not how. I started to speak, but she raised an arm and spoke with a quiet and peace I will never forget. "I do not ask for whom's the tollway belle," she said, "the tollway belle's for thee." The next morning our youth was a memory, and our happiness was a lie. Life is like a bad margarita with good tequila, I thought as I poured whiskey onto my granola and faced a new day. -- Peter Applebome, International Imitation Hemingway Competition | |
| Norbert Weiner was the subject of many dotty professor stories. Weiner was, in fact, very absent minded. The following story is told about him: when they moved from Cambridge to Newton his wife, knowing that he would be absolutely useless on the move, packed him off to MIT while she directed the move. Since she was certain that he would forget that they had moved and where they had moved to, she wrote down the new address on a piece of paper, and gave it to him. Naturally, in the course of the day, an insight occurred to him. He reached in his pocket, found a piece of paper on which he furiously scribbled some notes, thought it over, decided there was a fallacy in his idea, and threw the piece of paper away. At the end of the day he went home (to the old address in Cambridge, of course). When he got there he realized that they had moved, that he had no idea where they had moved to, and that the piece of paper with the address was long gone. Fortunately inspiration struck. There was a young girl on the street and he conceived the idea of asking her where he had moved to, saying, "Excuse me, perhaps you know me. I'm Norbert Weiner and we've just moved. Would you know where we've moved to?" To which the young girl replied, "Yes, Daddy, Mommy thought you would forget." The capper to the story is that I asked his daughter (the girl in the story) about the truth of the story, many years later. She said that it wasn't quite true -- that he never forgot who his children were! The rest of it, however, was pretty close to what actually happened... -- Richard Harter | |
| THE LESSER-KNOWN PROGRAMMING LANGUAGES #14 -- VALGOL VALGOL is enjoying a dramatic surge of popularity across the industry. VALGOL commands include REALLY, LIKE, WELL, and Y*KNOW. Variables are assigned with the =LIKE and =TOTALLY operators. Other operators include the "California booleans", AX and NOWAY. Loops are accomplished with the FOR SURE construct. A simple example: LIKE, Y*KNOW(I MEAN)START IF PIZZA =LIKE BITCHEN AND GUY =LIKE TUBULAR AND VALLEY GIRL =LIKE GRODY**MAX(FERSURE)**2 THEN FOR I =LIKE 1 TO OH*MAYBE 100 DO*WAH - (DITTY**2); BARF(I)=TOTALLY GROSS(OUT) SURE LIKE, BAG THIS PROGRAM; REALLY; LIKE TOTALLY(Y*KNOW); IM*SURE GOTO THE MALL VALGOL is also characterized by its unfriendly error messages. For example, when the user makes a syntax error, the interpreter displays the message GAG ME WITH A SPOON! A successful compile may be termed MAXIMALLY AWESOME! | |
| "We invented a new protocol and called it Kermit, after Kermit the Frog, star of "The Muppet Show." [3] [3] Why? Mostly because there was a Muppets calendar on the wall when we were trying to think of a name, and Kermit is a pleasant, unassuming sort of character. But since we weren't sure whether it was OK to name our protocol after this popular television and movie star, we pretended that KERMIT was an acronym; unfortunately, we could never find a good set of words to go with the letters, as readers of some of our early source code can attest. Later, while looking through a name book for his forthcoming baby, Bill Catchings noticed that "Kermit" was a Celtic word for "free", which is what all Kermit programs should be, and words to this effect replaced the strained acronyms in our source code (Bill's baby turned out to be a girl, so he had to name her Becky instead). When BYTE Magazine was preparing our 1984 Kermit article for publication, they suggested we contact Henson Associates Inc. for permission to say that we did indeed name the protocol after Kermit the Frog. Permission was kindly granted, and now the real story can be told. I resisted the temptation, however, to call the present work "Kermit the Book." -- Frank da Cruz, "Kermit - A File Transfer Protocol" | |
| A boy spent years collecting postage stamps. The girl next door bought an album too, and started her own collection. "Dad, she buys everything I've bought, and it's taken all the fun out of it for me. I'm quitting." Don't, son, remember, 'Imitation is the sincerest form of philately.'" | |
| A girl spent a couple hours on the phone talking to her two best friends, Maureen Jones, and Maureen Brown. When asked by her father why she had been on the phone so long, she responded "I heard a funny story today and I've been telling it to the Maureens." | |
| "The only way I can lose this election is if I'm caught in bed with a dead girl or a live boy." -- Louisiana governor Edwin Edwards | |
| "I have a friend who just got back from the Soviet Union, and told me the people there are hungry for information about the West. He was asked about many things, but I will give you two examples that are very revealing about life in the Soviet Union. The first question he was asked was if we had exploding television sets. You see, they have a problem with the picture tubes on color television sets, and many are exploding. They assumed we must be having problems with them too. The other question he was asked often was why the CIA had killed Samantha Smith, the little girl who visited the Soviet Union a few years ago; their propaganda is very effective. -- Victor Belenko, MiG-25 fighter pilot who defected in 1976 "Defense Electronics", Vol 20, No. 6, pg. 100 | |
| ...cyberpunk wants to see the mind as mechanistic & duplicable, challenging basic assumptions about the nature of individuality & self. That seems all the better reason to assume that cyberpunk art & music is essentially mindless garbagio. Willy certainly addressed this idea in "Count Zero," with Katatonenkunst, the automatic box-maker and the girl's observation that the real art was the building of the machine itself, rather than its output. -- Eliot Handelman | |
| Keep in mind always the four constant Laws of Frisbee: (1) The most powerful force in the world is that of a disc straining to land under a car, just out of reach (this force is technically termed "car suck"). (2) Never precede any maneuver by a comment more predictive than "Watch this!" (3) The probability of a Frisbee hitting something is directly proportional to the cost of hitting it. For instance, a Frisbee will always head directly towards a policeman or a little old lady rather than the beat up Chevy. (4) Your best throw happens when no one is watching; when the cute girl you've been trying to impress is watching, the Frisbee will invariably bounce out of your hand or hit you in the head and knock you silly. | |
| Peterson's Rules: (1) Trucks that overturn on freeways are filled with something sticky. (2) No cute baby in a carriage is ever a girl when called one. (3) Things that tick are not always clocks. (4) Suicide only works when you're bluffing. | |
| A young girl, Carmen Cohen, was called by her last name by her father, and her first name by her mother. By the time she was ten, didn't know if she was Carmen or Cohen. | |
| Support the Girl Scouts! (Today's Brownie is tomorrow's Cookie!) | |
| You can cage a swallow, can't you, but you can't swallow a cage, can you? Girl, bathing on Bikini, eyeing boy, finds boy eyeing bikini on bathing girl. A man, a plan, a canal -- Panama! -- The Palindromist | |
| HOGAN'S HEROES DRINKING GAME -- Take a shot every time: -- Sergeant Schultz says, "I knoooooowww nooooothing!" -- General Burkhalter or Major Hochstetter intimidate/insult Colonel Klink. -- Colonel Klink falls for Colonel Hogan's flattery. -- One of the prisoners sneaks out of camp (one shot for each prisoner to go). -- Colonel Klink snaps to attention after answering the phone (two shots if it's one of our heroes on the other end). -- One of the Germans is threatened with being sent to the Russian front. -- Corporal Newkirk calls up a German in his phoney German accent, and tricks him (two shots if it's Colonel Klink). -- Hogan has a romantic interlude with a beautiful girl from the underground. -- Colonel Klink relates how he's never had an escape from Stalag 13. -- Sergeant Schultz gives up a secret (two shots if he's bribed with food). -- The prisoners listen to the Germans' conversation by a hidden transmitter. -- Sergeant Schultz "captures" one of the prisoners after an escape. -- Lebeau pronounces "colonel" as "cuh-loh-`nell". -- Carter builds some kind of device (two shots if it's not explosive). -- Lebeau wears his apron. -- Hogan says "We've got no choice" when someone claims that the plan is impossible. -- The prisoners capture an important German, and sneak him out the tunnel. | |
| I kissed my first girl and smoked my first cigarette on the same day. I haven't had time for tobacco since. -- Arturo Toscanini | |
| Said the attractive, cigar-smoking housewife to her girl-friend: "I got started one night when George came home and found one burning in the ashtray." | |
| There be sober men a'plenty, and drunkards barely twenty; there are men of over ninety who have never yet kissed a girl. But give me the rambling rover, from Orkney down to Dover, we will roam the whole world over, and together we'll face the world. -- Andy Stewart, "After the Hush" | |
| A young girl once committed suicide because her mother refused her a new bonnet. Coroner's verdict: "Death from excessive spunk." -- Sacramento Daily Union, September 13, 1860 | |
| On the night before her family moved from Kansas to California, the little girl knelt by her bed to say her prayers. "God bless Mommy and Daddy and Keith and Kim," she said. As she began to get up, she quickly added, "Oh, and God, this is goodbye. We're moving to Hollywood." | |
| When a man sits with a pretty girl for an hour, it seems like a minute. But let him sit on a hot stove for a minute -- and it's longer than any hour. That's relativity. -- Albert Einstein | |
| Blackout, heatwave, .44 caliber homicide, The bums drop dead and the dogs go mad in packs on the West Side, A young girl standing on a ledge, looks like another suicide, She wants to hit those bricks, 'cause the news at six got to stick to a deadline, While the millionaires hide in Beekman place, The bag ladies throw their bones in my face, I get attacked by a kid with stereo sound, I don't want to hear it but he won't turn it down... -- Billy Joel, "Glass Houses" | |
| Gold coast slave ship bound for cotton fields Sold in a market down in New Orleans Scarred old slaver knows he's doing alright Hear him whip the women, just around midnight Ah, brown sugar how come you taste so good? Ah, brown sugar just like a young girl should Drums beating cold English blood runs hot Lady of the house wonderin' where it's gonna stop House boy knows that he's doing alright You should a heard him just around midnight. ... I bet your mama was tent show queen And all her girlfriends were sweet sixteen I'm no school boy but I know what I like You should have heard me just around midnight. -- Rolling Stones, "Brown Sugar" | |
| I lay my head on the railroad tracks, Waitin' for the double E. The railroad don't run no more. Poor poor pitiful me. [chorus] Poor poor pitiful me, poor poor pitiful me. These young girls won't let me be, Lord have mercy on me! Woe is me! Well, I met a girl, West Hollywood, Well, I ain't naming names. But she really worked me over good, She was just like Jesse James. She really worked me over good, She was a credit to her gender. She put me through some changes, boy, Sort of like a Waring blender. [chorus] I met a girl at the Rainbow Bar, She asked me if I'd beat her. She took me back to the Hyatt House, I don't want to talk about it. [chorus] -- Warren Zevon, "Poor Poor Pitiful Me" | |
| I've finally found the perfect girl, I couldn't ask for more, She's deaf and dumb and over-sexed, And owns a liquor store. | |
| Louie Louie, me gotta go Louie Louie, me gotta go Fine little girl she waits for me Me catch the ship for cross the sea Me sail the ship all alone Three nights and days me sail the sea Me never thinks me make it home Me think of girl constantly (chorus) On the ship I dream she there I smell the rose in her hair Me see Jamaica moon above (chorus, guitar solo) It won't be long, me see my love I take her in my arms and then Me tell her I never leave again -- The real words to The Kingsmen's classic "Louie Louie" | |
| My own dear love, he is strong and bold And he cares not what comes after. His words ring sweet as a chime of gold, And his eyes are lit with laughter. He is jubilant as a flag unfurled -- Oh, a girl, she'd not forget him. My own dear love, he is all my world -- And I wish I'd never met him. -- Dorothy Parker, part 1 | |
| "Oh, 'Melia, my dear, this does everything crown! Who could have supposed I should meet you in Town? And whence such fair garments such prosperi-ty?" "Oh, didn't you know I'd been ruined?" said she. "You left us in tatters, without shoes or socks, Tired of digging potatoes, and spudding up docks; And now you've gay bracelets and bright feathers three!" "Yes: That's how we dress when we're ruined," said she. "At home in the barton you said `thee' and `thou,' And `thik oon' and `theas oon' and `t'other;' but now Your talking quite fits 'ee for compa-ny!" "Some polish is gained with one's ruin," said she. "Your hands were like paws then, your face blue and bleak But now I'm bewitched by your delicate cheek, And your little gloves fit like as on any la-dy!" "We never do work when we're ruined," said she. "You used to call home-life a hag-ridden dream, And you'd sigh, and you'd sock; but at present you seem To know not of megrims or melancho-ly!" "True. One's pretty lively when ruined," said she. "I wish I had feathers, a fine sweeping gown, And a delicate face, and could strut about Town!" "My dear--a raw country girl, such as you be, Cannot quite expect that. You ain't ruined," said she. --Thomas Hardy | |
| Take a look around you, tell me what you see, A girl who thinks she's ordinary lookin' she has got the key. If you can get close enough to look into her eyes There's something special right behind the bitterness she hides. And you're fair game, You never know what she'll decide, you're fair game, Just relax, enjoy the ride. Find a way to reach her, make yourself a fool, But do it with a little class, disregard the rules. 'Cause this one knows the bottom line, couldn't get a date. The ugly duckling striking back, and she'll decide her fate. (chorus) The ones you never notice are the ones you have to watch. She's pleasant and she's friendly while she's looking at your crotch. Try your hand at conversation, gossip is a lie, And sure enough she'll take you home and make you wanna die. (chorus) -- Crosby, Stills, Nash, "Fair Game" | |
| There was a little girl Who had a little curl Right in the middle of her forehead. When she was good, she was very, very good And when she was bad, she was very, very popular. -- Max Miller, "The Max Miller Blue Book" | |
| What, still alive at twenty-two, A clean upstanding chap like you? Sure, if your throat 'tis hard to slit, Slit your girl's, and swing for it. Like enough, you won't be glad, When they come to hang you, lad: But bacon's not the only thing That's cured by hanging from a string. So, when the spilt ink of the night Spreads o'er the blotting pad of light, Lads whose job is still to do Shall whet their knives, and think of you. -- Hugh Kingsmill | |
| When I think about myself, I almost laugh myself to death, My life has been one great big joke, Sixty years in these folks' world A dance that's walked The child I works for calls me girl A song that's spoke, I say "Yes ma'am" for working's sake. I laugh so hard I almost choke Too proud to bend When I think about myself. Too poor to break, I laugh until my stomach ache, When I think about myself. My folks can make me split my side, I laughed so hard I nearly died, The tales they tell, sound just like lying, They grow the fruit, But eat the rind, I laugh until I start to crying, When I think about my folks. -- Maya Angelou | |
| Keep in mind always the four constant Laws of Frisbee: (1) The most powerful force in the world is that of a disc straining to land under a car, just out of reach (this force is technically termed "car suck"). (2) Never precede any maneuver by a comment more predictive than "Watch this!" (3) The probability of a Frisbee hitting something is directly proportional to the cost of hitting it. For instance, a Frisbee will always head directly towards a policeman or a little old lady rather than the beat up Chevy. (4) Your best throw happens when no one is watching; when the cute girl you've been trying to impress is watching, the Frisbee will invariably bounce out of your hand or hit you in the head and knock you silly. | |
| You go slow, be gentle. It's no one-way street -- you know how you feel and that's all. It's how the girl feels too. Don't press. If the girl feels anything for you at all, you'll know. -- Kirk, "Charlie X", stardate 1535.8 | |
| "`We've got to find out what people want from fire, how they relate to it, what sort of image it has for them.' The crowd were tense. They were expecting something wonderful from Ford. `Stick it up your nose,' he said. `Which is precisely the sort of thing we need to know,' insisted the girl, `Do people want fire that can be fitted nasally?'" - Ford "debating" what to do with fire with a marketing girl. | |
| "`That young girl is one of the least benightedly unintelligent organic life forms it has been my profound lack of pleasure not to be able to avoid meeting.'" - Marvin's first ever compliment about anybody. | |
| I got tired of listening to the recording on the phone at the movie theater. So I bought the album. I got kicked out of a theater the other day for bringing my own food in. I argued that the concession stand prices were outrageous. Besides, I hadn't had a barbecue in a long time. I went to the theater and the sign said adults $5 children $2.50. I told them I wanted 2 boys and a girl. I once took a cab to a drive-in movie. The movie cost me $95. -- Steven Wright | |
| I met my latest girl friend in a department store. She was looking at clothes, and I was putting Slinkys on the escalators. -- Steven Wright | |
| "Go on, girl! You'll never get a better chance to buy Jif at this price. *Carpe diem*, babe!" -- "The Naked Consumer", Erik Larson | |
| On this morning in August when I was 13, my mother sent us out pick tomatoes. Back in April I'd have killed for a fresh tomato, but in August they are no more rare or wonderful than rocks. So I picked up one and threw it at a crab apple tree, where it made a good *splat*, and then threw a tomato at my brother. He whipped one back at me. We ducked down by the vines, heaving tomatoes at each other. My sister, who was a good person, said, "You're going to get it." She bent over and kept on picking. What a target! She was 17, a girl with big hips, and bending over, she looked like the side of a barn. I picked up a tomato so big it sat on the ground. It looked like it had sat there a week. The underside was brown, small white worms lived in it, and it was very juicy. I stood up and took aim, and went into the windup, when my mother at the kitchen window called my name in a sharp voice. I had to decide quickly. I decided. A rotten Big Boy hitting the target is a memorable sound, like a fat man doing a belly-flop. With a whoop and a yell the tomatoee came after faster than I knew she could run, and grabbed my shirt and was about to brain me when Mother called her name in a sharp voice. And my sister, who was a good person, obeyed and let go -- and burst into tears. I guess she knew that the pleasure of obedience is pretty thin compared with the pleasure of hearing a rotten tomato hit someone in the rear end. -- Garrison Keillor, "Lake Wobegon Days" | |
| * dark greets liw with a small yellow frog. * liw kisses the frog and watches it transform to a beautiful nerd girl, takes her out to ice cream, and lives happily forever after with her <dark> liw: Umm it's too late to have the frog back? | |
| * Caytln slaps Lisa <Caytln> catfight :P <LisaHere> Watch it girl, I like that. <LisaHere> :) <Caytln> figures :D | |
| AP/STT. Helsinki, Dec 5th, 6:22 AM. For immediate release. In order to allay fears about the continuity of the Linux project, Linus Torvalds together with his manager Tove Monni have released "Linus v2.0", affectionately known as "Kernel Hacker - The Next Generation". Linux stock prices on Wall Street rose sharply after the announcement; as one well-known analyst who wishes to remain anonymous says - "It shows a long-term commitment, and while we expect a short-term decrease in productivity, we feel that this solidifies the development in the long run". Other analysts downplay the importance of the event, and claim that just about anybody could have done it. "I'm glad somebody finally told them about the birds and the bees" one sceptic comments cryptically. But even the skeptics agree that it is an interesting turn of events. Others bring up other issues with the new version - "I'm especially intrigued by the fact that the new version is female, and look forward to seeing what the impact of that will be on future development. Will "Red Hat Linux" change to "Pink Hat Linux", for example?" -- Linus Torvalds announcing that he became father of a girl | |
| An office party is not, as is sometimes supposed the Managing Director's chance to kiss the tea-girl. It is the tea-girl's chance to kiss the Managing Director (however bizarre an ambition this may seem to anyone who has seen the Managing Director face on). -- Katherine Whitehorn, "Roundabout" | |
| The boss returned from lunch in a good mood and called the whole staff in to listen to a couple of jokes he had picked up. Everybody but one girl laughed uproariously. "What's the matter?" grumbled the boss. "Haven't you got a sense of humor?" "I don't have to laugh," she said. "I'm leaving Friday anyway. | |
